Over a period of about 10 months, museum president Don Bacigalupi and assistant curator Chad Alligood crisscrossed the country. They traveled more than 100,000 miles — by plane and car — and stopped in the homes and studios of nearly 1,000 artists.
On Tuesday's Central Standard, we invited a variety of artists to discuss how their practice has evolved as they have moved from one stage of life to another.
As a ballet dancer embarked on retirement from the stage and into a teaching and choreographing role at the age of 32, he sat down with a visual artist who has more than forty years of studio experience and a legendary jazz saxophonist. The three compared notes across genres.
Thursday's Up to Date brings the never before told story of powerful events witnessed by five young photographers during the momentous summer of 1964 in the segregated South. Guest host Brian Ellison talks with Matt Herron, one of the photographers and author of Mississippi Eyes: The Story and Photography of the Southern Documentary Project, "the only book to provide a firsthand account of what it was actually like to photograph the civil rights struggle in the Deep South."
A young Kansas City journalist named Esther Honig, who contributes to KCUR, had an idea for a project.
She sent a simple, straightforward portrait of herself to Photoshoppers around the globe with a request to make her beautiful. She wanted to see what that would mean to people in different parts of the world, investigating how culturally specific definitions of beauty might play into the results.
On Thursday's Central Standard, we looked back at the history of intervention in mental health crises, going all the way back to the 19th century.
The Glore Psychiatric Museum (formerly known as State Lunatic Asylum #2) captures both the treatments of the past and the controversies they sparked. Treatments in mental health hospitals once ranged from a "bath of surprise," which disrupted thought-patterns by dropping the patient into a shockingly cold bath, to lobotomies and fever cabinets.
This weekend, 'near space explorers' will be gathering in Hutchinson, Kan. for the annual Great Plains Super Launch. They are hobbyists who launch weather balloons and track their progress using GPS or HAM radio.
On Thursday's Central Standard, we talk with participant John Flaig who uses these balloons to take dramatic photographs from the upper reaches of the atmosphere.
Danny Orendorff arrived in Kansas City a year ago to serve as Curator-in-Residence for the Charlotte Street Foundation. Before he arrived in town for this rotating position, his career was split between San Francisco and Chicago.
With a year of close observation under his belt, Danny Orendorff shares his notes on Kansas City's strengths and weaknesses as an art city. He also tells us about his current exhibition at La Esquina gallery, provocatively titled The Stench of Rotting Flowers.
Robins hopped on the manicured lawn at the Nelson-Atkins Museum of Art on Wednesday as New York-based artist Robert Morris and a small entourage previewed his new work, "Glass Labyrinth." The 7-foot-tall triangular sculpture consists of one-inch thick glass plate walls topped with bronze.
The official opening of "Glass Labyrinth" takes place Thursday in a public ceremony on the museum's south lawn. It marks the 25th anniversary of the 22-acre Donald J. Hall Sculpture Park.
A new museum linked to the American Museum of Natural History in New York City, opens Monday in Overland Park, Kan. The Museum at Prairiefire, at 135th and Nall, will feature two traveling exhibitions a year from the New York-based museum, as well as permanent displays, a hands-on children's discovery room, classrooms and a cafe.
Walt Disney opened his first animation studio, Laugh-O-Gram, on the second floor of a red-brick building near 31st and Troost in Kansas City, Mo. The business folded in 1923, and the building, due to deteriorating conditions, was almost torn down about a decade ago.
But now, plans are underway for the site to return as a center for animation, but one for the21st century. This includes digital storytelling, experimental animation training labs, and a theater to showcase new work – as well as an upgrade, so the building is sustainable.
It's a Thursday morning in the rehearsal space at the Lyric Opera Center in the Crossroads Arts District. About 20 students from the Kansas City Art Institute stand on either side of a long table covered with sketches, floor and building plans and colorful set drawings. They reach into pockets to snap photos with cell phones, or focus in with larger cameras.
National Geographic photographer Jodi Cobb travels great distances to discover the secret realms of world culture. She has documented fascinating visual stories about many subjects, including the quirky nature of twins, the hidden lives of Saudi Arabian women and Japanese geishas.
Standing near the entrance of the new exhibition, Roads of Arabia: Archaeology and History of The Kingdom of Saudi Arabia, on Wednesday, Julián Zugazagoitia, director and CEO of the Nelson-Atkins Museum of Art, called the more than 200 recently discovered artifacts a "revelation for humanity."
Two roads are explored: the incense trade routes, caravans transporting frankincense and myrrh from Arabia to Mesopotamia and the Greco-Roman world, as well as the network of roads for travelers on religious pilgrimages to Mecca.
A nearly decade-old art movement called Dr. Sketchy’s Anti-Art School is one of the more quirky ways artists find community in metros across the globe. But Kansas City's version is known for taking that quirkiness a step further, and for uniting a new and growing artist community when it needed it most.
Imagine spending a year – or more – restoring an artwork, trying to bring back the touch, or the brushstroke, of a master. That’s what Scott Heffley, senior conservator of paintings at the Nelson-Atkins Museum of Art, has been doing with an El Greco painting (ca. 1580-1585) called The Penitent Magdalene.
If you’ve walked or driven by the Nelson-Atkins Museum of Art recently you’ve probably noticed a flurry of activity on the southeast corner of the grassy lawn. Work is underway to ready the site for the installation of a new sculpture, Glass Labyrinth, a triangular-shaped, glass-walled labyrinth designed by artist Robert Morris, a native of Kansas City, Mo.
Every Sunday for the last two years or so, a group of artists has been heading outside to capture the charm of Kansas City on their canvases. You might even see them, brush in hand, in the West Bottoms or at Longview Lake. Landscape painting is nothing new, but this group – known as Kansas City Plein Air Coterie or KC PAC — has a unique style and curious rituals that set them apart from other outdoor painters.
Jump-starting studio practice by painting outdoors
A winter storm was brewing on Friday afternoon, and expected to bring snow and ice to the Kansas City metro area. At Gass Camera Repair, the electronic door chime rang periodically - not with the arrival of customers, but as box after box was loaded onto a trailer waiting just outside.
Since 1979, in this small shop in Mission, Kan., Clarence Gass repaired cameras of all shapes and sizes. Friday was his final day of business.
The Nelson-Atkins Museum of Art has commissioned a new work by architect and artist Maya Lin, who's probably best known as the designer of the Vietnam Veterans Memorial in Washington, D.C.
Lin’s sculpture, Silver Missouri, inspired by the Missouri River, is crafted from recycled silver, and it’s one in a series of works exploring water conservation. It will be installed in the Bloch Building on November 15.
In the exhibition Laura McPhee: River of No Return at the Kemper Museum of Contemporary Art, the more than two dozen photographs - each six by eight feet - loom large. McPhee's series explores the grandeur of the West, tensions between ranchers and environmentalists, and human impact on the land - and its often unintended consequences.
It was just last year when Gloria Baker Feinstein and her husband had to move out of their house and into a condo, and get rid of many their possessions.
"It's not stuff," she said. "Everything had a reason. Everything had a memory. Everything felt really dear to me."
The couple had an estate sale, and Feinstein, a photographer, decided to document each item as it left her house. But the endeavor quickly turned into a different project -- one that is now on display in a local gallery.