Performance

Danielle Hogerty / KCUR 89.3

The lunch crowd boarded the streetcar at Union Station on a busy Wednesday afternoon. Every seat was taken and people were standing shoulder-to-shoulder. The doors shut, but instead of taking off, the train idled. Four mysterious riders in dress coats and fedoras approached the car. The doors opened again, and, with one uniform step, they boarded the train.

These mysterious travelers were actually dancers. They remained fairly still for the first minute, but as soon as someone signaled for a stop, the dancers broke out in random movements.

Julie Denesha / KCUR 89.3

Michelle Tyrene Johnson scrolls back to a Facebook post she made in July with news about the national NAACP supporting a travel advisory in a single state for the first time.

“My comment with this is: ‘I have always had the policy that I don't travel in Missouri at night unless I'm on I-70 because parts of the state are just that openly racist,’” she says

Some of the exciting stuff on KC's arts calendar this month: an artist residency at the Nelson-Atkins; a three-person, 90-minute version of Macbeth; and a chat with soul singer Julia Haile.

Haile will be performing Gen Listen KC's Stockyards Sounds on Tuesday, August 8.

Guests:

Pixabay

Whether you choose to refute it or thrive in it, the world is indeed a strange place.

Even relatively common leisure-time activities can’t evade the peculiar wonder of it all, as with this weekend’s oddly tinged excursions into comedy, theatrics, music and more.

If only for the next few days, wherever it may lead, just go with the strange flow. Anyway, you can deny it all later. Well, except for that. Nice try, though.

Courtesy Oskar Landi / Urban Romances, A Sundance Selects Release

Recently, the Columbia Journalism Review dedicated an entire issue to the state of local news, featuring a map revealing "news deserts" in the U.S. What is the status of local news sources in our small Midwestern towns?

Plus, ballet icon and Kansas City native Misty Copeland is back in town touring her new book, Ballerina Body

Guests:

Luke Samuel Jordan

Experiences that used to exist only in the physical world become digitized each day — accessible through the Internet and on screens in one form or another.

But are the experiences the same? And what's lost or gained in the process?  

The Mighty Mo Combo

Today, Up To Date previews the Kansas City Fringe Festival with a look at two of this year's acts.

First, we find out what a group of Kansas City musicians are doing to bring the music of Ella Fitzgerald back to life. Then, we meet the playwright, actress, and University of Kansas professor who turned her cancer diagnosis into a one-woman comedic play.

Brian Collins

Back in William Shakespeare's day, outdoor theaters like the Globe in London could accommodate about 3,000 people. More than 400 years later in Kansas City, crowds in June and July hauled blankets and lawn chairs to pack into Southmoreland Park for the Heart of America Shakespeare Festival's production of Hamlet

Courtesy Lindsay Adams

When did we stop telling folk tales? The days of white-haired elders sitting by fires under the stars recounting local legends might be over, but storytelling and oral traditions aren't. 

In fact, Kansas City playwright Lindsay Adams has created her own folk tale.

"I just had this image of the woman crying and the river flowing and keeping all the wheat alive. I wrote it down in a notebook," she says. "And then I came back to it, started writing and it just sort of came. It was pretty magical."

Anne Kniggendorf

People around here know Oz.

“Being in Kansas — holy crap — we just get inundated," says Matt Hawkins, the puppet designer for Paul Mesner Puppet Theater’s production of The Wizard of Oz. "Every truck stop is full of Wizard of Oz.”

So why would Mike Horner, the company's artistic director, bother with yet another production of the story?

Brian Collins / Heart of America Shakespeare Festival

So what's it like going from a blockbuster hit like Netflix's House of Cards to returning to your hometown to perform outdoors in a Shakespeare play?

That was Central Standard host Gina Kaufmann's question for actor Nathan Darrow on the day Hamlet opened in Southmoreland Park, presented by the Heart of America Shakespeare Festival.

Brian Collins

Presumably, everyone knows that "To be, or not to be" is a phrase from Shakespeare's Hamlet.

Same goes for "something is rotten in the state of Denmark." And many people might correctly guess that "Get thee to a nunnery" is from Hamlet as well.

But what about "the lady doth protest too much"?

"To thine own self be true"?

"Neither a borrower nor a lender be"?

Quixotic Cirque Nouveau

For centuries, research about women has been flawed. Today, we learn how gender and cultural bias has affected scientific study.  Author and journalist Angela Saine says new research refutes the long-held view that women are inferior. Also, we explore the creative process behind the Kansas City performance art group Quixotic.

Marleah Campbell / KCUR 89.3

Television has rapidly evolved since its humble, black-and-white beginnings. Today, we discuss how  TV has forever changed the American culture. Then, actress and activist Morgan Fairchild joins us to discuss her advocacy work and insights on current events and politics.

KCPT

After more than 30 years at KCPT, Randy Mason, executive producer of cultural affairs, has been let go. KCUR has learned that three other staffers were also told their jobs were cut.

Ken Howard / Metropolitan Opera

Olathe, Kansas, native Scott Conner has performed on North American and European stages. Last month marked Conner's debut at the Metropolitan Opera in New York.

Through May 13, Conner plays the police commissioner in a new production of Richard Strauss’s opera, Der Rosenkavalier. One highlight: He shares the stage with opera diva Renée Fleming, who stars in a signature role as the aristocrat, the Marschallin.

LindsayG0430 / Wikimedia Commons

Simply put, legends last.

Demonstrating such qualifying staying power this weekend are entertainments whose appeal has persisted for decades, even centuries – from a veteran country-music king holding court to an ancient Egyptian-inspired soap opera updated for modern audiences.

So in 10, 50 or 100 years, what seemingly momentary allures might still be enjoyed by the masses? There I go again, asking questions that I can’t possibly answer. In the meantime, peruse the following totally legendary supply!

courtesy Todd Rosenberg Photography

If you're not standing after a live performance of classical music, theater, or musical theater in Kansas City, you might be sitting alone. 

Standing ovations are standard practice these days, and that was the topic of discussion on Thursday's Central Standard.

So when it comes to a standing ovation, why do we stand up? And when does a production deserve it?

Better Block Foundation

The push for safe spaces and trigger warnings is leading many educators to more carefully curate their syllabi. The issue inspired creativity in a Kansas City playwright and the two local actors performing in his new project.

Cynthia Levin / Unicorn Theatre

Audiences expect challenging productions from the Unicorn Theatre, whose mission is to produce "thought-provoking plays" that "illuminate social issues." Still, Danai Gurira's Eclipsed might require playgoers to work harder than they're used to.

Julie Denesha / KCUR 89.3FM

Heidi Van is founder and producing artistic director of the Fishtank. But her new play, Death, By Shakespeare opened over the weekend not at her usual black box theater at 1715 Wyandotte, but at Greenwood Social Hall, a new arts venue on Kansas City’s Westside. 

Van has reorganized her business into "a nomadic theater company" producing works outside of the studio where she has been based for the past seven years.

T. Charles Erickson

Three years of work for Kansas City actors, set designers, stage managers and students at four universities culminates this week and next when New York's The Acting Company presents William Shakespeare’s Julius Caesar and Marcus Gardley’s X: Or, Betty Shabazz vs. The Nation in repertory.

Luke X. Martin / KCUR 89.3

That '70s Show made way for rising stars like Mila Kunis and Ashton Kutcher, but they were supported by a corps of veteran actors. Today, we speak with Debra Jo Rupp, who spent 17 years acting on stage before portraying the quirky mom on the long-running sitcom. After that, we try to help would-be gamblers avoid a super blow-out with a preview of the Super Bowl and an explainer on how point-spread betting could work for or against you.

Courtesy of Des Moines Metro Opera

Most people are familiar with Dead Man Walking, the book and movie that's based on Sister Helen Prejean's interaction with a death row inmate. Well, there's also an opera that's inspired by her story.

We talk to some people from the Lyric Opera about their upcoming performance of this contemporary American work ... and the community outreach they've planned around it.

Luke X. Martin / KCUR 89.3

When the Kansas City Actors Theatre opens Israel Horovitz’s My Old Lady next week, the production will star three actors that might, in one of the profession's euphemisms, be described as "well-known" actors.

But KCAT isn't bothering with euphemisms.

The show "provides three great acting roles, especially two for middle-aged and older women,” director Darren Sextro said in the show's news release, adding that this particular group of artists "deserves more opportunities than they’re offered."

Steve Mundinger / jazzday.com

We air highlights of conversations with performing artists from the Kansas City area who wowed audiences here and across the country. Actress Cinnamon Schultz explains how she tackled the complex role of Blanche DuBois in A Streetcar Named Desire. Operatic tenor Ben Bliss recalls meeting Placido Domingo for the first time and Nedra Dixon brought Billie Holiday to life on stage. Finally, the great Bobby Watson, explains what happened when he took a wrong turn while in the White House for International Jazz Day.

Julie Denesha / KCUR 89.3

The Nutcracker is a local, and international, holiday tradition. How has the long-running performance transformed over the years here in Kansas City? We reflect on the old and consider the new, with local dancers, choreographers and directors.

Guests:

Paul Andrews / paulandrewsphotography.com

"Growing up, I thought I lived in like a black city," says Nathan Louis Jackson, who spent his childhood and early adulthood in the Quindaro neighborhood in Kansas City, Kansas. "I didn't understand the makeup of this city. And not just that, it wasn't just a racial makeup, it was also economic. All that, I didn't get. I was in a little bubble."

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