On Thursday's Central Standard, we looked back at the history of intervention in mental health crises, going all the way back to the 19th century.
The Glore Psychiatric Museum (formerly known as State Lunatic Asylum #2) captures both the treatments of the past and the controversies they sparked. Treatments in mental health hospitals once ranged from a "bath of surprise," which disrupted thought-patterns by dropping the patient into a shockingly cold bath, to lobotomies and fever cabinets.
Danny Orendorff arrived in Kansas City a year ago to serve as Curator-in-Residence for the Charlotte Street Foundation. Before he arrived in town for this rotating position, his career was split between San Francisco and Chicago.
With a year of close observation under his belt, Danny Orendorff shares his notes on Kansas City's strengths and weaknesses as an art city. He also tells us about his current exhibition at La Esquina gallery, provocatively titled The Stench of Rotting Flowers.
Robins hopped on the manicured lawn at the Nelson-Atkins Museum of Art on Wednesday as New York-based artist Robert Morris and a small entourage previewed his new work, "Glass Labyrinth." The 7-foot-tall triangular sculpture consists of one-inch thick glass plate walls topped with bronze.
The official opening of "Glass Labyrinth" takes place Thursday in a public ceremony on the museum's south lawn. It marks the 25th anniversary of the 22-acre Donald J. Hall Sculpture Park.
A new museum linked to the American Museum of Natural History in New York City, opens Monday in Overland Park, Kan. The Museum at Prairiefire, at 135th and Nall, will feature two traveling exhibitions a year from the New York-based museum, as well as permanent displays, a hands-on children's discovery room, classrooms and a cafe.
Walt Disney opened his first animation studio, Laugh-O-Gram, on the second floor of a red-brick building near 31st and Troost in Kansas City, Mo. The business folded in 1923, and the building, due to deteriorating conditions, was almost torn down about a decade ago.
But now, plans are underway for the site to return as a center for animation, but one for the21st century. This includes digital storytelling, experimental animation training labs, and a theater to showcase new work – as well as an upgrade, so the building is sustainable.
It's a Thursday morning in the rehearsal space at the Lyric Opera Center in the Crossroads Arts District. About 20 students from the Kansas City Art Institute stand on either side of a long table covered with sketches, floor and building plans and colorful set drawings. They reach into pockets to snap photos with cell phones, or focus in with larger cameras.
Standing near the entrance of the new exhibition, Roads of Arabia: Archaeology and History of The Kingdom of Saudi Arabia, on Wednesday, Julián Zugazagoitia, director and CEO of the Nelson-Atkins Museum of Art, called the more than 200 recently discovered artifacts a "revelation for humanity."
Two roads are explored: the incense trade routes, caravans transporting frankincense and myrrh from Arabia to Mesopotamia and the Greco-Roman world, as well as the network of roads for travelers on religious pilgrimages to Mecca.
A nearly decade-old art movement called Dr. Sketchy’s Anti-Art School is one of the more quirky ways artists find community in metros across the globe. But Kansas City's version is known for taking that quirkiness a step further, and for uniting a new and growing artist community when it needed it most.
Imagine spending a year – or more – restoring an artwork, trying to bring back the touch, or the brushstroke, of a master. That’s what Scott Heffley, senior conservator of paintings at the Nelson-Atkins Museum of Art, has been doing with an El Greco painting (ca. 1580-1585) called The Penitent Magdalene.
Every Sunday for the last two years or so, a group of artists has been heading outside to capture the charm of Kansas City on their canvases. You might even see them, brush in hand, in the West Bottoms or at Longview Lake. Landscape painting is nothing new, but this group – known as Kansas City Plein Air Coterie or KC PAC — has a unique style and curious rituals that set them apart from other outdoor painters.
Jump-starting studio practice by painting outdoors
On this Tuesday’s Central Standard, plug into a conversation with the artists behind the new arts gallery PLUG Projects. We’ll discuss their efforts to bring more thought-provoking works to Kansas City, local fundraising initiatives and resources to help develop local art writing and critique.
Later in the hour, visiting artist Carrie Scanga talks about "BREATHE: The Emergent Colony," her new experimental, collaborative exhibition that's transforming PLUG's gallery space.