Performance

Mike Tsai / Kansas City Actors Theatre

It was a year ago when the Kansas City Actors Theatre decided to produce Sam Shepard's play “A Lie of the Mind” this season. When Shepard died in July, company members were shocked at first, but then their feelings evolved.

Julie Denesha / KCUR 89.3FM

At dusk on Friday, the Nelson-Atkins Museum of Art celebrates the Bloch Building's 10th anniversary with dance, sound sculpture and light. The free, outdoor event features around 40 dancers, musicians and technicians from the performance art collective Quixotic

courtesy: Kansas City Repertory Theatre

The musical Between the Lines has been in development for the past three years. This weekend marks its debut at the Kansas City Repertory Theatre.

The show is based on the bestselling book, co-written by Jodi Picoult and her (then teenage) daughter, Samantha van Leer. In the novel, a teenager, Delilah, gets a crush on a fairytale character, Prince Oliver — and the lines blur between fantasy and reality. 

Meet the creative forces behind some of the exciting art stuff going on in September. We talk to the director of a play where ten manly explorers are played by women. Then, the dance troupe that choreographs shows off the sides of buildings. Finally, a KC musician who activates local dance floors and local politics.

Guests:

Ron Megee (R)

Aug 18, 2017
Paul Andrews / www.paulandrewsphotography.com

A chat with the local actor and director about being an out teen in Blue Springs, how he helped create the campy and irreverent Late Night Theatre group and how, until fairly recently, he couldn't perform onstage without throwing up.

Guest:

Julie Denesha / KCUR 89.3

Michelle Tyrene Johnson scrolls back to a Facebook post she made in July with news about the national NAACP supporting a travel advisory in a single state for the first time.

“My comment with this is: ‘I have always had the policy that I don't travel in Missouri at night unless I'm on I-70 because parts of the state are just that openly racist,’” she says

Danielle Hogerty / KCUR 89.3

Performing in public for unsuspecting audiences . . . You've seen it in big cities on street corners and on subways, but what about here in KC? We tap into the local scene.

Are you friends with your ex? We'll talk to a KU researcher about why.

Plus, advice on where to watch the solar eclipse in and around Kansas City

Guests:

Some of the exciting stuff on KC's arts calendar this month: an artist residency at the Nelson-Atkins; a three-person, 90-minute version of Macbeth; and a chat with soul singer Julia Haile.

Haile will be performing Gen Listen KC's Stockyards Sounds on Tuesday, August 8.

Guests:

Luke Samuel Jordan

Experiences that used to exist only in the physical world become digitized each day — accessible through the Internet and on screens in one form or another.

But are the experiences the same? And what's lost or gained in the process?  

Brian Collins

Back in William Shakespeare's day, outdoor theaters like the Globe in London could accommodate about 3,000 people. More than 400 years later in Kansas City, crowds in June and July hauled blankets and lawn chairs to pack into Southmoreland Park for the Heart of America Shakespeare Festival's production of Hamlet

Julie Denesha / KCUR 89.3FM

As families prepare to pile into cars for summer vacations, one new play takes a trip back in time to explore the experience of black travelers in Jim Crow-era America.

As a new Evel Knievel museum opens in Topeka, we look back at the legacy of this all-American daredevil. 

Plus, a panel of local educators joins us to help make sense of civics and the separation of powers in the American government.

Guests:

Courtesy Lindsay Adams

When did we stop telling folk tales? The days of white-haired elders sitting by fires under the stars recounting local legends might be over, but storytelling and oral traditions aren't. 

In fact, Kansas City playwright Lindsay Adams has created her own folk tale.

"I just had this image of the woman crying and the river flowing and keeping all the wheat alive. I wrote it down in a notebook," she says. "And then I came back to it, started writing and it just sort of came. It was pretty magical."

Anne Kniggendorf

People around here know Oz.

“Being in Kansas — holy crap — we just get inundated," says Matt Hawkins, the puppet designer for Paul Mesner Puppet Theater’s production of The Wizard of Oz. "Every truck stop is full of Wizard of Oz.”

So why would Mike Horner, the company's artistic director, bother with yet another production of the story?

Brian Collins / Heart of America Shakespeare Festival

So what's it like going from a blockbuster hit like Netflix's House of Cards to returning to your hometown to perform outdoors in a Shakespeare play?

That was Central Standard host Gina Kaufmann's question for actor Nathan Darrow on the day Hamlet opened in Southmoreland Park, presented by the Heart of America Shakespeare Festival.

Brian Collins

Presumably, everyone knows that "To be, or not to be" is a phrase from Shakespeare's Hamlet.

Same goes for "something is rotten in the state of Denmark." And many people might correctly guess that "Get thee to a nunnery" is from Hamlet as well.

But what about "the lady doth protest too much"?

"To thine own self be true"?

"Neither a borrower nor a lender be"?

SFS Architecture

The doors of the old King Louie West Lanes bowling alley and ice skating rink have been closed to the public since 2009. On Saturday, the iconic building will reopen, this time as the Johnson County Arts & Heritage Center.

Laura Spencer / KCUR 89.3

The University of Missouri system is facing a $101 million budget crunch due to cuts in state funding, as well as declining enrollment at the campus in Columbia. 

UM System President Mun Choi on Friday presented plans for the budget in fiscal year 2018.

For UMKC, proposed cuts could mean $15.4 million less in spending and the loss of 51 positions — including four faculty members from the Theatre Department and a $400,000 decrease in the department's budget. 

Courtesy Andrew Stuart Bergerson

Did Nazis fall in love?

Of course they did, though it may be hard to associate the idea of that emotion with a society that committed human atrocities. But as the Third Reich was rising, individuals in Germany fell in love with each other just like people all over the world fall in love every day.

Kansas Citians have a chance to hear what that felt like when actors stage a script-in-hand reading on Sunday, thanks to a trove of letters between two wartime lovers.

Ken Howard / Metropolitan Opera

Olathe, Kansas, native Scott Conner has performed on North American and European stages. Last month marked Conner's debut at the Metropolitan Opera in New York.

Through May 13, Conner plays the police commissioner in a new production of Richard Strauss’s opera, Der Rosenkavalier. One highlight: He shares the stage with opera diva Renée Fleming, who stars in a signature role as the aristocrat, the Marschallin.

Courtesy Cristina Bernal

Poking fun at current political and social events can be cathartic, especially when it incites laughter, which is what Spanish actress Cristina Bernal does.

Bernal makes her United States debut in Kansas City on May 7, in celebration of Kansas City's 50-year sister-cities relationship with Seville, Spain.

LitFestKC

Today, Jon Scieszka and Javaka Steptoe, heavy-hitters on the kid's lit scene, talk about promoting literacy and how the environment for fostering it has changed since they were little. They also reveal the creative processes behind some of their best-known works.

Claire Tadokoro / KCUR 89.3

Moving back to Kansas City from New York City in the mid to late 1980s was an eye-opening experience for David Hughes.

"I started meeting artists, curators, dancers and musicians. I saw a lot of amazing individuals doing interesting work," says Hughes, who realized that "artists need support." 

American Century Investments, his employer at the time, contributed $10,000. And, in 1997, four cash awards were distributed to artists as the newly created Charlotte Street Foundation

courtesy Todd Rosenberg Photography

If you're not standing after a live performance of classical music, theater, or musical theater in Kansas City, you might be sitting alone. 

Standing ovations are standard practice these days, and that was the topic of discussion on Thursday's Central Standard.

So when it comes to a standing ovation, why do we stand up? And when does a production deserve it?

C.J. Janovy / KCUR 89.3

Playwright Alice Carroll of Overland Park recently dropped off donations at a thrift store. A man in her age bracket got her attention. He said he was collecting old toys to fix and give away.

“Then he looked at me and he said, ‘Tell me: How are you enjoying your old age?’ I looked at him and I laughed. ‘Well,' he said, 'I’m old too,’” Carroll says, laughing again at the memory.

In her one-act play, "Age Inappropriate: A Short Play About Senior Misbehavior," Carroll's heroine has a similar interaction.

Amy Britain

Culture wars were raging. The National Endowment for the Arts was under threat. A conservative senator from a southern state was earning his reputation as a "prominent unabashed white racist." Protesters were hitting the streets.

"It was a really interesting time," Mark Manning says of the early 1990s. "Similar to now."

Julie Denesha / KCUR 89.3FM

Peter I. Tchaikovsky wrote three classic ballets, but until now, the Kansas City Ballet has only performed two of them: Swan Lake and The Nutcracker. Besides completing its repertoire of Tchaikovsky ballets, the company's premiere of The Sleeping Beauty is a case study in how setting a ballet to the great composer’s music requires changing it.

Cynthia Levin / Unicorn Theatre

Audiences expect challenging productions from the Unicorn Theatre, whose mission is to produce "thought-provoking plays" that "illuminate social issues." Still, Danai Gurira's Eclipsed might require playgoers to work harder than they're used to.

Courtesy Jewish Community Center

Ray Bradbury’s Fahrenheit 451 is a classic because its themes keep pace with the passing decades. Whether it’s the novel published in 1953 or Bradbury’s stage adaptation from 1979, each version is concerned with the control of information and media as a means of keeping the populace in its place.

United States Mission Geneva / Wikimedia Commons--CC

The Band's legendary final performance was over 40 years ago, but their fame lives on. The hit group's lead guitarist, Robbie Robertson, shares stories from the time he wrote "The Weight" in one night to jamming with Bob Dylan.

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