Much like Vincent Van Gogh, Mexican artist Frida Kahlo wasn’t famous in her own lifetime. A new play at The Living Room examines the artist's trials and tribulations, especially a series of tragic events that would have daunted many people but actually motivated her to paint in the first place.
Kahlo had a look as distinctive as her art. In a series of self-portraits, she emits a piercing stare from beneath an arched unibrow and a crown of braids. And her work has found the acclaim that eluded her in life.
It's the dream of playwrights everywhere to see their words make the leap from the page to the stage. The Crossroads venue known as The Living Room is currently helping young writers build that bridge with a project called The Writer's Den.
With the opening this week of The Death of Cupid at the downtown performance space The Living Room, author and director Kyle Hatley is revisiting a play he's been refining since 2008. Its eternal themes of peace, war and sex have its roots in ancient Greece but still maintain a relevance to what the world looks like today.
Rodgers and Hammerstein’s musical Carousel is revered by many for its artfully woven tapestry of story, song and dance - including Time magazine, which in 1999 named it the best musical of the 20th century. Currently at Kansas City Repertory Theatre is a re-creation of a production that premiered nearly two years ago at a downtown performance space, where Carousel was viscerally staged in a way that both respected the material and deconstructed it to pieces.