When Folk Alliance International decided last spring on "a clenched fist of resistance against the struggle," as executive director Aengus Finnan described the poster art for its 2017 conference, organizers couldn't have predicted how relevant the theme Forbidden Folk, "celebrating activism in art," would resonate almost a year later.
A few thousand folk musicians from around the world are preparing to gather at the Westin Hotel in Crown Center for the 29th annual Folk Alliance International Conference. Over the next five days they're going to make a lot of music, but they're also going to make a lot of paper flyers and garbage. But hopefully not as much as previous years.
The first time Danny Cox visited Kansas City, it was not a pleasant experience.
It was 1963, a year before the Civil Rights Act banned racial discrimination in public places, and Cox was a nationally touring musician arriving for a show. When he walked in the door at the Muehelbach Hotel, the clerk told him that black people couldn't stay at the Muehelbach.
Though the word he used for "black people" was not quite so polite.
Most of Cox's fellow musicians and road crew were white, but they refused to stay in a place where their vocalist wasn't welcome.