Monique Gabrielle Salazar

Music Reviewer

Monique Gabrielle Salazar began her classical music training at the age of three and later branched out into a variety of genres. She has been a member of the Latino Writers Collective since 2008 and has worked as a freelance writer, editor, producer and performer in Kansas City for more than a decade. Her first book of poetry, See My Ghosts, will be published in July 2016 by Spartan Press. Follow her on Twitter, @MGSCreates.

Julie Denesha / KCUR 89.3

Humans tend to take time and space as a given. We are assured that in 60 seconds, a minute will have passed; after 59 more it will have been an hour. We assume our living spaces will not suddenly develop new real estate behind the closet wall. We generally understand objects' physicality and can discern area through depth perception and touch. Most of us (author not included) are aware enough of the actual reach of our limbs so as not to knock fragile objects to floors.

Kevin Morgan

When Molly Hammer takes the stage in front of people who haven’t seen her, their first reaction may be curiosity.

Hammer is small, with a shock of bright red hair styled into a pageboy, her face serene under glaring white stage lights. In a venue where people know her, such as the Green Lady Lounge, her commanding presence creates an air you could manducate, and everyone in the cozy, dark booths seems to perk up a titch in anticipation.

Courtesy Mbird

Mbird
MercyFlight

Megan Birdsall has long been a Kansas City jazz darling, her slight presence a contradiction to the voice that's filled the corners of almost every jazz club in town. But to peg her in such a niche would be a mistake, as she and her band Mbird prove with their new release, MercyFlight.

Courtesy The Sexy Accident

The Sexy Accident
Champagne Babycakes

Jesse Kates is a coordinated guy. The front-man and creator of The Sexy Accident has been at it for a decade, dutifully churning out catchy, creative pop records every two years with an ever-changing cast of characters.

Paul Andrews

The Philistines
The Backbone of the Night (The Record Machine)

I generally subscribe to the nihilistic punk-rock philosophy of “kill your idols,” but not when it comes to The Philistines.

Matt Needham Photography

Red Kate
unamerican activities (Black Site Records)

As an impressionable teenager with blue liberty spikes, I cut my teeth on the Kansas City punk rock scene, practically living at El Torreon on the weekends. I was the chick in the pit, dodging elbows and mashing around with steel toes. It wasn't an evening if I didn't have a new bruise.

Courtesy Maria The Mexican

Maria The Mexican
South of the Border Moonlight

Ask a Latina about her ethnicity and you’re likely to get a complicated answer. Products of colonialism, most of us are mestizas, combinations of indigenous and European origin. It’s a culture with two feet planted firmly in each world. After all, there was no great diaspora — the border just changed on us. Many good things happened as a result: Spanglish, the guayabera and green chile cheeseburgers to name a few.