Justin Chang
Justin Chang is a film critic for the Los Angeles Times and NPR's Fresh Air, and a regular contributor to KPCC's FilmWeek. He previously served as chief film critic and editor of film reviews for Variety.
Chang is the author of FilmCraft: Editing, a book of interviews with seventeen top film editors. He serves as chair of the National Society of Film Critics and secretary of the Los Angeles Film Critics Association.
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Set in Hollywood in 1969, Leonardo DiCaprio and Brad Pitt star as a TV actor and his stunt double. The movie's low-key hangout vibes may test your patience, but every moment pulses with feeling.
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A tense and jittery new crime thriller features Adam Sandler as a fast-talking New York City jewelry dealer who becomes embroiled in various desperate schemes to get out of debt.
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Writer-director Rian Johnson's deliriously entertaining comic detective story brings together an all-star cast and an ingeniously plotted crime story whose every twist catches you by surprise.
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Director Marielle Heller's new film, starring Tom Hanks, casts a spell with the lightest of touches. Drop your skepticism; this film feels like an encounter with Fred Rogers himself.
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Life doesn't go according to plan for the family at the center of this wrenching drama. But while Wavesdoesn't peddle easy redemption, it does offer what feels like a state of grace.
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No one outside a marriage can know the truth of it, but actors Adam Driver and Scarlett Johansson bring the audience awfully close in Noah Baumbach's devastating drama about splitting up.
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Martin Scorsese's new film about the man who claimed to have killed Teamsters boss Jimmy Hoffa is a haunting story of loyalty, loss and power — with plenty of whackings.
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Willem Dafoe and Robert Pattinson play 19th-century seamen stationed at a remote lighthouse in Maine. Shot in black and white, it's an exquisitely old-fashioned study of souls in isolation.
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Bong Joon-ho's brilliant new movie is a darkly comic thriller about the intersection of two South Korean families: one very rich, the other very poor.
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For all its good intentions, Jojo Rabbitcomes across painfully one-note as comedy, bogus and manipulative as drama and with an archly whimsical visual style that feels like imitation Wes Anderson.