Who has the power in capitalism? The critics of capitalism say the rich have the upper hand. But author John Hope Bryant thinks the story is more complex than that. He thinks that capitalism works best when it benefits not the few, but the many.
Kyle Hatley arrived in Kansas City to serve as Assistant Artistic Director for the Kansas City Repertory Theatre in April 2008. He drove into town in the midst of a tornado, and he hasn't stopped moving since.
After eight years of tireless immersion in both the Kansas City Repertory Theatre and the grassroots theater scene, Hatley has decided it's time to return to Chicago. There, he will join his fiance, actress Emily Peterson.
Ethnomusicologist Daniel Atkinson describes Louisiana State Penitentiary (commonly called "Angola") as a “living, breathing plantation.” The land where the prison stands today was converted from plantation to penitentiary after slavery was abolished.
With a ukelele and jazz guitar in tow, the traveling Kansas City-based musical duo known as Victor & Penny stopped by Central Standard on Wednesday to talk with Gina Kaufmann — and to perform a few of their signature "antique pop" songs live for our listeners.
Counties and states all over America host seasonal fairs. Originally, they were organized to share the latest technology in agriculture and genes among livestock. But in an age of instant information are state and county fairs still relevant? On Tuesday's Central Standard, we investigate the modern function of fairs, and talk with some professional livestock judges about their criteria for appraising animals and producing the food of tomorrow.
Expecting a new baby can force many parents to make complicated financial decisions. On Monday's Central Standard, we were joined by the Cash Money Crew to discuss how to approach and manage the monetary costs that come with a new child.
It's about his boyhood in the Illinois town of Woodstock, in the middle of the 20th century. Through critical reflection on his early experiences and observations, Tammeus arrives at a handful of truisms about life in the Midwest, offered without sentimentality or rose-colored glasses, but with measured fondness.
The barn is an icon of the American work ethic and rural nostalgia. On Wednesday's Central Standard, we explored the trend of rehabbing and restoring old barns that would otherwise fall into irreversible decay.
We also spoke with people throughout the nation and in our own area about the challenges of preserving these structures.
Do old barns -- the red ones with big huge doors -- still matter, even as larger steel structures replace them in function?
Citizen Koch is a new documentary that investigates the political influence of Kansas-born billionaires David and Charles Koch. The film has a strong point of view, which has drawn mixed reviews. On Tuesday's Central Standard, we talked with the directors about how Citizen Koch was made and their approach to documentary filmmaking.
In honor of Bastille Day, Central Standard explored efforts to preserve Missouri French: a dialect that once flourished in southwestern Missouri, now remembered by only a handful of people in the town of Old Mines. Some say the language is dying, but the dialect has been pronounced dead then rediscovered many times.
Music is often connected with emotions, but what about food? Can a cocktail taste like a song? On Thursday's Central Standard, we spoke with two Kansas City bartenders who recently completed a feat of synesthesia - creating original cocktails inspired by songs from local musicians. The event was called Mixtapes & Mixology.
At a farm in Kansas City, Kan., a group of young men from are developing their entrepreneurship skills through farming. Boys Grow, a non-profit agency, works with these kids to develop business skills as they sell their agricultural commodities.
On Wednesday's Central Standard, we talked to two of these boys about their experience with Boys Grows and their hopes for the future.
On Tuesday's Central Standard, we invited a variety of artists to discuss how their practice has evolved as they have moved from one stage of life to another.
As a ballet dancer embarked on retirement from the stage and into a teaching and choreographing role at the age of 32, he sat down with a visual artist who has more than forty years of studio experience and a legendary jazz saxophonist. The three compared notes across genres.
The bonds and battles between siblings are unique and long-lasting. For some people, their brother or sister is the most treasured person in their life; others can't spend an hour in the same room together. On Monday's Central Standard, we discuss the psychology of these lifelong relationships.
Ivanhoe is a neighborhood on Kansas City’s east side with a rich history. Though recent decades have brought on hard times, the community, led by spokeswoman Margaret May, has rallied to restore its former glory. Some residents are frustrated by vacant houses on their blocks, while others love the new farmer’s market and point–with a sigh of relief—to reduced crime rates.
July 2nd is the 50th anniversary of The Civil Rights Act of 1964. This historic piece of legislation outlawed race based discrimination, enfranchised voter registration rights, and desegregated businesses, public spaces, and schools.
On Wednesday's Central Standard, Rev. Nelson "Fuzzy" Thompson and Anita Dixon share their unique first hand experiences with the Civil Rights Movement in and around Kansas City, then and now.
This spring marked the 60th anniversary of Brown v. Board of Education, a Kansas case that went to the Supreme Court and ultimately ended with the ruling that the segregation of schools was unconstitutional. In the first half of Tuesday's Central Standard, we shared some little-known stories of the desegregation process from the months and years that followed.
A young Kansas City journalist named Esther Honig, who contributes to KCUR, had an idea for a project.
She sent a simple, straightforward portrait of herself to Photoshoppers around the globe with a request to make her beautiful. She wanted to see what that would mean to people in different parts of the world, investigating how culturally specific definitions of beauty might play into the results.
Local children's author and illustrator Daniel Miyares visited the Central Standard studio to discuss his recent picture book, Pardon Me!
The book, aimed at 4-7 year-olds, tells the story of a bird on a perch who is visited by several of his supposed swamp friends until the frustrated critter is so crowded he can't take it any more. In the end, the bird is (spoiler alert!) finally left alone, only to be eaten by a crocodile who finishes his meal with a burp. "Pardon me," says the crocodile.
It's one of life's great inevitables, and we don't mean taxes.
Death Cafes, where people get together to hang out and talk about death and dying, have started popping up in cities worldwide. Locally, we have two Death Cafes: one in St. Joseph, Mo. and another in Kansas City, Mo.
When the Shuttlecocks, created by Claes Oldenburg and Coojse van Bruggen, were installed on the lawn of the Nelson-Atkins Museum of Art 20 years ago they drew a lot of attention. Public feelings about the art were at times "vicious," says Marc Wilson, former director of the museum. Some felt the Shuttlecocks made a mockery of the stately building behind them and couldn't be considered art.
The Kansas City Police Department has long struggled to get information about violent crimes from community members because of a host of reasons, including fear of retaliation. In a couple of recent high-profile cases, suspects were apprehended thanks in large part to community-based efforts.
On Tuesday's Central Standard, we spoke to Kansas City Police Chief Darryl Forté about these recent cases, and checked in on the state of policing in our community.
If you make your product with a 3-D printer, is it still a craft? On Monday's Central Standard, we sit down with local participants of Kansas City's Maker Faire (coming up June 28 and 29) and a Professor of Art to tinker with our concept of what it means to "craft."
On Thursday's Central Standard, we looked back at the history of intervention in mental health crises, going all the way back to the 19th century.
The Glore Psychiatric Museum (formerly known as State Lunatic Asylum #2) captures both the treatments of the past and the controversies they sparked. Treatments in mental health hospitals once ranged from a "bath of surprise," which disrupted thought-patterns by dropping the patient into a shockingly cold bath, to lobotomies and fever cabinets.