It's a Thursday morning in the rehearsal space at the Lyric Opera Center in the Crossroads Arts District. About 20 students from the Kansas City Art Institute stand on either side of a long table covered with sketches, floor and building plans and colorful set drawings. They reach into pockets to snap photos with cell phones, or focus in with larger cameras.
National Geographic photographer Jodi Cobb travels great distances to discover the secret realms of world culture. She has documented fascinating visual stories about many subjects, including the quirky nature of twins, the hidden lives of Saudi Arabian women and Japanese geishas.
Standing near the entrance of the new exhibition, Roads of Arabia: Archaeology and History of The Kingdom of Saudi Arabia, on Wednesday, Julián Zugazagoitia, director and CEO of the Nelson-Atkins Museum of Art, called the more than 200 recently discovered artifacts a "revelation for humanity."
Two roads are explored: the incense trade routes, caravans transporting frankincense and myrrh from Arabia to Mesopotamia and the Greco-Roman world, as well as the network of roads for travelers on religious pilgrimages to Mecca.
A nearly decade-old art movement called Dr. Sketchy’s Anti-Art School is one of the more quirky ways artists find community in metros across the globe. But Kansas City's version is known for taking that quirkiness a step further, and for uniting a new and growing artist community when it needed it most.
Imagine spending a year – or more – restoring an artwork, trying to bring back the touch, or the brushstroke, of a master. That’s what Scott Heffley, senior conservator of paintings at the Nelson-Atkins Museum of Art, has been doing with an El Greco painting (ca. 1580-1585) called The Penitent Magdalene.
If you’ve walked or driven by the Nelson-Atkins Museum of Art recently you’ve probably noticed a flurry of activity on the southeast corner of the grassy lawn. Work is underway to ready the site for the installation of a new sculpture, Glass Labyrinth, a triangular-shaped, glass-walled labyrinth designed by artist Robert Morris, a native of Kansas City, Mo.
Every Sunday for the last two years or so, a group of artists has been heading outside to capture the charm of Kansas City on their canvases. You might even see them, brush in hand, in the West Bottoms or at Longview Lake. Landscape painting is nothing new, but this group – known as Kansas City Plein Air Coterie or KC PAC — has a unique style and curious rituals that set them apart from other outdoor painters.
Jump-starting studio practice by painting outdoors
A winter storm was brewing on Friday afternoon, and expected to bring snow and ice to the Kansas City metro area. At Gass Camera Repair, the electronic door chime rang periodically - not with the arrival of customers, but as box after box was loaded onto a trailer waiting just outside.
Since 1979, in this small shop in Mission, Kan., Clarence Gass repaired cameras of all shapes and sizes. Friday was his final day of business.
The Nelson-Atkins Museum of Art has commissioned a new work by architect and artist Maya Lin, who's probably best known as the designer of the Vietnam Veterans Memorial in Washington, D.C.
Lin’s sculpture, Silver Missouri, inspired by the Missouri River, is crafted from recycled silver, and it’s one in a series of works exploring water conservation. It will be installed in the Bloch Building on November 15.
In the exhibition Laura McPhee: River of No Return at the Kemper Museum of Contemporary Art, the more than two dozen photographs - each six by eight feet - loom large. McPhee's series explores the grandeur of the West, tensions between ranchers and environmentalists, and human impact on the land - and its often unintended consequences.
It was just last year when Gloria Baker Feinstein and her husband had to move out of their house and into a condo, and get rid of many their possessions.
"It's not stuff," she said. "Everything had a reason. Everything had a memory. Everything felt really dear to me."
The couple had an estate sale, and Feinstein, a photographer, decided to document each item as it left her house. But the endeavor quickly turned into a different project -- one that is now on display in a local gallery.
An interview with Daniel Gonzales and Oscar Pedroza.
The cultures of Kansas and Missouri was shaped by wave after wave of immigrants: from Germany, Ireland, Italy and Eastern Europe. A new exhibit called, The Missouri Immigrant Experience: Faces and Places portrays vivid images of the state’s diverse immigrants from the early nineteenth century to today. The exhibit was sponsored by the Missouri Immigrant and Refugee Advocates (MIRA), a coalition of organizations that advocates for immigrants.
A pinhole camera is a simple tool – and it can be constructed with basic materials. You could even make one at home with your child on a snow day. All you need is cardboard, tape, and aluminum foil. But, it’s the eye behind the camera that draws a line between child’s play and the potential for photography.
It’s fitting that the first career retrospective for photographer Terry Evans takes place in her hometown of Kansas City, Mo., at the Nelson-Atkins Museum of Art, a place where she took art classes as a child.
The 300-acre Overland Park Arboretum and Botanical Gardens garnered national attention in recent months over a bronze statue titled "Accept or Reject." The work, by Chinese artist Yu Chang, depicts a headless, bare-breasted woman holding a camera, pointing it at herself.