Performance

In 2007 in Cleveland, Johanna Orozco was raped and shot in the jaw by her ex-boyfriend. Coverage of the shooting inspired new legislation in Ohio targeting teen-on-teen violence and a play based on Johanna's experience. Steve Kraske speaks with the journalist who covered the event and the playwright of "Johanna: Moving Forward."

Guests:

Julie Denesha / KCUR

Anyone staging Charles Busch's play Die, Mommie, Die! is advised to cast a male actor as its lead female character. Playing the fading movie star Angela Arden at Musical Theater Heritage in Crown Center is Late Night Theatre veteran De De DeVille, whose given name is David Krom.

As part of our monthly series Actors Off-Script, Krom talks about a 20-plus year career that began on a dare. 

You grew up as David Krom. What was your journey like to becoming De De DeVille? When did that happen?

Julie Denesha / KCUR

As a young child, Helen Keller lost her vision, hearing, and ability to speak. Her teacher, Annie Sullivan, gave her the tools to communicate with the world. Theirs was a friendship that lasted for five decades – and the play about that relationship, The Miracle Worker, opens this week at the Coterie Theatre. 

As part of our monthly series Actors Off-Script, Vanessa Severo (Annie) and Josephine Pellow (Helen) talked about some of the challenges of bringing this story to the stage. 

His character, Jerry, was the butt of numerous jokes on NBC's Parks and Recreation which ran for seven years. Actor Jim O'Heir fills in Steve Kraske on what went on at last weekend's Emmy Awards, what it was like working on Parks & Rec and the reason he's in town.

Jim O'Heir appears in 'You Can't Take It With You' at the New Theatre Restaurant September 24 through November 29. For more information go to newtheatre.com

Pain. It's not the most uplifting topic, in fact it hurts, but it's universal... and throughout time, philosophers have found value in it. Our meditation on pain starts with a dance.

Guests:

Courtesy photo / Belger Crane Yard Studios

Kansas City artist Peregrine Honig spent time this year in artist residencies — one in China, and, an unofficial one, closer to home at the Hotel Phillips. 

Some of the drawings and prints she created will soon be on display in a replica hotel suite — inside the Belger Crane Yard gallery. Sexuality and vulnerability, power and luxury — and privacy all collide in a new multimedia installation called Suites

Julie Denesha / KCUR

T’khara Jones and her younger sister KhaTera Jones wanted to take dance lessons.

Their older sister won gymnastics and dance trophies, and they had an aunt whose dancing mesmerized them.

"I just thought, 'Wow that looks so much fun, it just looks beautiful," says T'khara. "I always wanted to do it."

Same went for KhaTera, a year behind her in school.

"One of my friends took dance classes and I thought it was really cool. When I first started wanting to take dance classes, it was maybe fourth or fifth grade."

courtesy of A to Z Theatrical Supply and Service

After five decades in the Waldo neighborhood of Kansas City, A to Z Theatrical Supply and Service has moved to a long-vacant building in east Brookside. 

Julie Denesha / KCUR

In Sarah Ruhl's play The Oldest Boy, a suburban couple's life is turned on its ear when they learn their 3-year-old son may be the reincarnation of a high Buddhist lama. Playing the boy's mother in the Unicorn Theatre production is Katie Kalahurka. 

For our series called Actors Off-Script, Kalahurka spoke with me about motherhood and the innovative way her character's son's story comes to life.

Laura Spencer / KCUR

With its new production of West Side Story, Spinning Tree Theatre takes an intimate approach to a large classic musical.

It’s thought to be the first in Kansas City with an all-local, all-professional cast. And while maintaining the original choreography, two veteran cast members are putting their own stamp on it. 

Julie Denesha / KCUR

Ryan Jolicoeur-Nye counts out the beats as he directs three dancers darting across the floor in a rehearsal room.

Earlier this year when Jolicoeur-Nye created a pas de deux for Kansas City Ballet’s “New Moves” showcase set to the music of composer Max Richter, it caught the eye of Kansas City Dance Festival’s co-artistic director Anthony Krutzkamp. The two decided to collaborate on a larger work for the festival this weekend that they’re calling "Richter Scales."

Julie Denesha / KCUR

During the day, Robert Hingula works as an attorney for one of Kansas City’s most prominent law firms.

But for the next few weeks, he’ll be spending his evenings as Shrek, starring in productions at the Jewish Community Center and at Shawnee Mission's Theatre in the Park.

J. Robert Schraeder / courtesy of The Coterie Theatre

The extraordinary freedom of expression that we have in this country is routinely utilized by artists who choose to perform on stage, along with audiences that seek to be engaged by their efforts.

Keep that in mind this Fourth of July weekend, while enjoying the talents of actors and musicians who are free to go wherever their creative spirit leads.

That kind of liberty? Only in America.

1. ‘Pippin’

Image Courtesy of Starlight Theatre / Copyright Bob Compton Photography

At the end of May, more than 2,000 kids and their friends and parents headed to Starlight Theatre for the Blue Star Awards, Kansas City’s high school version of the Tony Awards. They got decked out in dramatic formal wear, walked down a red carpet and had their pictures taken, then performed bits of their shows and made acceptance speeches.

Julie Denesha / KCUR

In a small dressing room Saturday afternoon, nine young dancers from AileyCamp The Group crowded around a bank of mirrors checking makeup and donning leotards. The dance troupe was one of three performing in Festival on the Vine’s youth matinee performance at the Gem Theater in Kansas City.

The three-day festival of dance over the weekend featured Kansas City-based Owen/Cox Dance Group, Cleo Parker Robinson Dance from Colorado and CRISOL danza Fusión from Mexico. And Saturday was the moment for young dancers to take the stage. 

Julie Denesha / KCUR

The Heart of America Shakespeare Festival has graced Southmoreland Park for 23 seasons — and actor John Rensenhouse has been there for 10 of them. This year, he takes on the role of King Lear, with his volatile moods and ungrateful daughters. 

"He still wants to be king but he doesn’t want to do the work, so he is going to divide his kingdom up into three parts and give a part to each of his daughters," Rensenhouse says. 

LIbrary of Congress/Google Images -- CC

During World War II, the Hollywood Canteen in Los Angeles was a famous nightclub where civilian hostesses danced with Allied soldiers of all races. It was an oasis during a time of segregation — or was it? KU professor Sherrie Tucker interviewed people who frequented the club and heard about their different — and sometimes contradictory — experiences on the dance floor.

Guest:

Julie Denesha / KCUR

The downtown performance space known as The Living Room arrived on the scene in 2010 with a debut season that included two plays by John Kolvenbach. Five years later, Scott Cordes and Katie Gilchrist are back in the directors’ chairs with both plays being performed in repertory.

What if Bill Clinton had 90 minutes to give a no-holds-barred TED talk? That's the scene in "Bill Clinton Hercules," a one-man show starring Kansas City actor Bob Paisley. Hear about the  off-hand comment that inspired the play and how Paisley evokes the 42nd president. 

Want to see "Bill Clinton Hercules"? The show opens at the Metropolitan Ensemble Theatre on Wednesday, May 6 for a 4-day run. For tickets and information, click here.

courtesy: Lyric Opera of Kansas City

The Lyric Opera of Kansas City announced this week, just days after the season finale of Tosca, that artistic director Ward Holmquist is out of a job — one he's held since 1998. 

"Lyric Opera of Kansas City is reorganizing along the lines of standard industry structure for the purpose of improved effectiveness and efficiency in our operation and has eliminated the position of Artistic Director. Lyric Opera of Kansas City today announces the departure of Artistic Director Ward Holmquist. We thank him for his years of service," Board chair Kenneth Hager said in a statement issued Thursday.

Julie Denesha / KCUR

In 1961, in the heat of the civil rights movement, black and white college students rode buses through the South to challenge segregated public transportation. These "Freedom Riders" are the subject of a new play being staged by the University of Missouri-Kansas City's theater department. It's a collaboration between students, several playwrights, a director, and a choir. They hope to inspire a conversation about how the lessons of the past can have meaning in the present. 

Laura Spencer / KCUR

Spencer Theatre, the main stage for Kansas City Repertory Theatre, opened in 1979 on the University of Missouri-Kansas City campus. The interior was updated with new seats in 2002, but over the past three decades, other changes have been limited. Starting May 18, however, a $5.5 million renovation gets underway. 

"It is my pleasure to welcome all of you today to the lobby of the Spencer Theatre, which six months from now will look significantly different than it does today," Scott Boswell, chair of the Rep's board of directors, said to a crowd of supporters and UMKC faculty and staff on Monday morning. 

Julie Denesha / KCUR

Theater insiders will call someone who acts, writes, and directs a triple threat. Kyle Hatley, Kansas City Repertory Theatre's resident director, is such a person. Following his acclaimed performance in An Iliad earlier this year, he's now at the helm of Sticky Traps, the theater's third play by Kansas City's own Nathan Louis Jackson.

In this month's installment of Director's Cuts, Hatley talks about his history with Jackson, a playwright-in-residence at the Rep, and what it means to rehearse a show with the playwright in the room.

Julie Denesha / KCUR

As curator of The Fishtank, an evolving performance space in the Crossroads Arts District, Heidi Van has helped ignite a growing interest in experimental theater. She's produced shows in the building's front windows with the audience in the street, performed a play in a lingerie shop around the corner, and tweaked the art of clowning.

In this month's installment of Director's Cuts, Heidi Van talks about how her avant-garde sensibility might influence her first directing job at The Coterie: a production of Dr. Seuss's The Cat in the Hat

Julie Denesha / KCUR

The two-act ballet Giselle premiered in 1841. Today, this story of a peasant girl who falls in love with a nobleman in disguise is considered a classic. There’s a love triangle, a mad scene, and ghosts who dance men to death.

Giselle as a 'personal experience'

At the Bolender Center on a recent afternoon, Kansas City Ballet rehearsals were underway for Giselle. It's the first act when Giselle, a young peasant girl, falls in love with Albrecht, a nobleman disguised as a peasant. Here’s the problem – the village gamekeeper, Hilarion, is also in love with Giselle.

Esther Honig / KCUR

On a Monday night at the Lee A. Tolbert gymnasium in Kansas City, 80 dancers ages 6-25 gather for one of two weekly practices of The Marching Cobras. 

In gym shorts and sneakers, the dancers break a sweat running through their routines. They move to the beats of a group of young drummers banging out a rhythm loud enough to make your ears pound.

Julie Denesha / KCUR

Musicologist John Lomax set out to do field recordings in the early 1930s of African-American songs in the southern United States. With the help of his son, Alan, he recorded ballads, reels, work songs, and the blues – some were recorded in prisons. That’s where John Lomax met the guitar player Huddie Ledbetter, better known as "Lead Belly."

A version of this story – with two women as the lead characters – is the focus of the play Black Pearl Sings! written by prolific Kansas City playwright Frank Higgins.

Don Ipock / Kansas City Repertory Theatre

Angels in America is Tony Kushner’s two-part epic now playing at the Kansas City Repertory Theatre. Set in New York in the 1980s, it’s a commentary on AIDS, religion, politics, and love in the Reagan era.

Julie Denesha / KCUR

Graduate students in the Masters of Fine Arts program at the University of Missouri-Kansas City recently spent a week expanding their creative horizons with artist-in-residence Tony Fuemmeler, a mask maker and puppeteer based in Portland, Ore.

Their task: Create a mask using natural materials and thrift-store finds.

Pages