Performance

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A food-borne virus traced to an Overland Park dinner theater has sickened even more people than originally thought, health authorities say.

More than 600 people have now reported symptoms of norovirus after attending the New Theatre Restaurant in mid-January.

Since the first reports of the illness, state and local health authorities have been working with the popular venue on cleanup and safe food practices.

Hannah Copeland / KCUR 89.3

Thirty-five local playwrights will capture the mood of Kansas City's present and future at the city's first One-Minute Play Festival this weekend on City Stage at Union Station.

Founded in New York by producing artistic director Dominic D'Andrea, one-minute play festivals have spread all over the country, "with the goal of promoting the spirit of radical inclusion by representing local cultures of playwrights of different age, gender, race, cultures, and points of career," according to the festival's website.

Julie Denesha / KCUR 89.3

A new one-act play re-examines an enormous explosion that rocked Kansas City and killed six firefighters. The jury convicted five men of setting the 1988 fire, but investigative reporting has cast doubt on key facts in the case.

The process of producing the play, called Justice in the Embers, meant writing a script with a dogged journalist and visiting a convicted felon. 

Creative Commons / Public Domain Images

More than 100 people who attended the New Theatre Restaurant in Overland Park on Sunday, Jan. 17, reported becoming ill, according to the Kansas Department of Health and Environment.

In a news release Wednesday, the agency says it’s investigating an outbreak of norovirus infection. Symptoms of the extremely contagious virus include diarrhea, vomiting, nausea and stomach pain.

KDHE says it’s conducting a confidential online survey of people who attended the matinee and evening performances staged that day at the popular dinner theater.

Many Kansas Citians still remember the morning of Nov. 29, 1988. That was the day a blast miles distant woke tens of thousands in the metro in a tragedy that claimed the lives of six Kansas City firefighters. Now, a stage production explores some of the mysteries that remain about the events leading up to the explosion.

Guest:

Julie Denesha / KCUR 89.3

Starlight Theatre has been an integral part of Kansas City summers since 1950. But a new initiative is under way to stage shows when the theater is usually empty — during the winter. This year's January slate offers four Off-Broadway type productions. 

The impetus for the winter shows comes from Richard Baker, who took the job of president and CEO of Starlight in March 2014 after nearly three decades running the Fox Theatre in St. Louis.

How does a classical art adapt to a changing world? Exploring race in what began as a 17th-century European artform, through the lens of dancers of color.

Guests:

  • Tyrone Aiken, artistic director, KC Friends of Alvin Ailey
  • Sabrina Madison-Cannon, associate dean of undergraduate affairs, UMKC Conservatory
  • Courtney Garrett, dance student, UMKC Conservatory
  • Miyesha McGriff, New York City dancer and Kansas City native
Julie Denesha / KCUR

After playing Bob Cratchit in Kansas City Repertory Theatre's A Christmas Carol for the past six years, it seems actor Walter Coppage was up for a change.

In this year's production, Coppage was asked to take on two new roles — as the ghost of the miserly Jacob Marley and as the generous businessman Mr. Fezziwig. And, like others he's taken on throughout his career, these characters offer some unorthodox challenges. 

Julie Denesha / KCUR

The mood was intense on Wednesday at the final dress rehearsal for the Kansas City Ballet's world premier of "The Nutcracker."

After nearly two years of planning and collaboration, with artisans from all across the country, artistic director Devon Carney was finally ready to bring his new creation to the stage of the Kauffman Center for the Performing Arts.

Julie Denesha / KCUR

Kansas City Friends of Alvin Ailey announced two new top leadership roles on Tuesday. 

Harlan Brownlee joins the organization in the newly created position of chief executive officer.

In July, Brownlee stepped down as president and CEO of ArtsKC, the regional arts council. He's worked in arts education for three decades, including as a dance teacher and choreographer, and calls this a "great fit." 

Julie Denesha / KCUR

A large crowd of supporters and donors gathered Friday morning in the freshly renovated lobby space of the Spencer Theatre on the UMKC campus.

After a seven-month, $5.6 million reconstruction, the Kansas City Repertory Theatre's primary venue now has a new stage floor, new seats, updated lighting and acoustic design as well as an expanded lobby. 

Julie Denesha / KCUR

For more than three decades, Kansas City audiences have gathered at the holidays to watch the classic ballet, The Nutcracker. This year, though, they'll be getting something much different.

Julie Denesha / KCUR

More than 200 people are expected Wednesday at the Gem Theater at 18th and Vine for a daylong community conversation about race.

Though the Fall Symposium: Race, Place & Diversity hosted by the Kansas City Friends of Alvin Ailey might feel like a response to this week’s events at the University of Missouri in Columbia, the organization hosted a similar symposium a year ago and is committed to doing so for the next five years, says the organization’s executive director, Tyrone Aiken.

Julie Denesha / KCUR

For a solid 10 years, actor Don Richard performed on nearly every Kansas City stage. A production of the musical Jane Eyre that began in Wichita, Kansas, eventually landed in New York City on Broadway, where he often appears today. He's currently back in town for Musical Theater Heritage's production of Urinetown: The Musical. 

As part of the monthly series Actors Off Script, Richard, who's now based in Chicago, talks about his journey from modest parts in local theaters to the Broadway stage.

Courtesy Oskar Landi / Urban Romances, A Sundance Selects Release

Though the late choreographer George Balanchine may have been a genius, he had a skewed vision of what his ballerinas should look like. He dictated they be flat-chested and that they follow diets so strict they stopped menstruating. Today that's called body fascism in some circles. And it might have produced as much hurt as art.

Julie Denesha / KCUR

Photographer Mike Strong has spent the past two decades capturing the movement of dancers on Kansas City stages. 

When Strong first became interested in dance, he says he couldn't find much information about metro-area dance events. So in 1997, he started his own website, KCDance.com and has published photographs of performances and rehearsals ever since. 

He stood alongside Martin Luther King, Jr. in the fight for civil rights, yet the name Bayard Rustin remains largely unknown. We hear the story of this important figure in history. 

Guests:

In 2007 in Cleveland, Johanna Orozco was raped and shot in the jaw by her ex-boyfriend. Coverage of the shooting inspired new legislation in Ohio targeting teen-on-teen violence and a play based on Johanna's experience. Steve Kraske speaks with the journalist who covered the event and the playwright of "Johanna: Moving Forward."

Guests:

Julie Denesha / KCUR

Anyone staging Charles Busch's play Die, Mommie, Die! is advised to cast a male actor as its lead female character. Playing the fading movie star Angela Arden at Musical Theater Heritage in Crown Center is Late Night Theatre veteran De De DeVille, whose given name is David Krom.

As part of our monthly series Actors Off-Script, Krom talks about a 20-plus year career that began on a dare. 

You grew up as David Krom. What was your journey like to becoming De De DeVille? When did that happen?

Julie Denesha / KCUR

As a young child, Helen Keller lost her vision, hearing, and ability to speak. Her teacher, Annie Sullivan, gave her the tools to communicate with the world. Theirs was a friendship that lasted for five decades – and the play about that relationship, The Miracle Worker, opens this week at the Coterie Theatre. 

As part of our monthly series Actors Off-Script, Vanessa Severo (Annie) and Josephine Pellow (Helen) talked about some of the challenges of bringing this story to the stage. 

His character, Jerry, was the butt of numerous jokes on NBC's Parks and Recreation which ran for seven years. Actor Jim O'Heir fills in Steve Kraske on what went on at last weekend's Emmy Awards, what it was like working on Parks & Rec and the reason he's in town.

Jim O'Heir appears in 'You Can't Take It With You' at the New Theatre Restaurant September 24 through November 29. For more information go to newtheatre.com

Pain. It's not the most uplifting topic, in fact it hurts, but it's universal... and throughout time, philosophers have found value in it. Our meditation on pain starts with a dance.

Guests:

Courtesy photo / Belger Crane Yard Studios

Kansas City artist Peregrine Honig spent time this year in artist residencies — one in China, and, an unofficial one, closer to home at the Hotel Phillips. 

Some of the drawings and prints she created will soon be on display in a replica hotel suite — inside the Belger Crane Yard gallery. Sexuality and vulnerability, power and luxury — and privacy all collide in a new multimedia installation called Suites

Julie Denesha / KCUR

T’khara Jones and her younger sister KhaTera Jones wanted to take dance lessons.

Their older sister won gymnastics and dance trophies, and they had an aunt whose dancing mesmerized them.

"I just thought, 'Wow that looks so much fun, it just looks beautiful," says T'khara. "I always wanted to do it."

Same went for KhaTera, a year behind her in school.

"One of my friends took dance classes and I thought it was really cool. When I first started wanting to take dance classes, it was maybe fourth or fifth grade."

courtesy of A to Z Theatrical Supply and Service

After five decades in the Waldo neighborhood of Kansas City, A to Z Theatrical Supply and Service has moved to a long-vacant building in east Brookside. 

Julie Denesha / KCUR

In Sarah Ruhl's play The Oldest Boy, a suburban couple's life is turned on its ear when they learn their 3-year-old son may be the reincarnation of a high Buddhist lama. Playing the boy's mother in the Unicorn Theatre production is Katie Kalahurka. 

For our series called Actors Off-Script, Kalahurka spoke with me about motherhood and the innovative way her character's son's story comes to life.

Laura Spencer / KCUR

With its new production of West Side Story, Spinning Tree Theatre takes an intimate approach to a large classic musical.

It’s thought to be the first in Kansas City with an all-local, all-professional cast. And while maintaining the original choreography, two veteran cast members are putting their own stamp on it. 

Julie Denesha / KCUR

Ryan Jolicoeur-Nye counts out the beats as he directs three dancers darting across the floor in a rehearsal room.

Earlier this year when Jolicoeur-Nye created a pas de deux for Kansas City Ballet’s “New Moves” showcase set to the music of composer Max Richter, it caught the eye of Kansas City Dance Festival’s co-artistic director Anthony Krutzkamp. The two decided to collaborate on a larger work for the festival this weekend that they’re calling "Richter Scales."

Julie Denesha / KCUR

During the day, Robert Hingula works as an attorney for one of Kansas City’s most prominent law firms.

But for the next few weeks, he’ll be spending his evenings as Shrek, starring in productions at the Jewish Community Center and at Shawnee Mission's Theatre in the Park.

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