It's been nearly 120 years since the publication of Bram Stoker's gothic novel Dracula. But his tale of the Count, who stalks living creatures and survives on their blood, continues to this day to be interpreted and popularized in theater, television, film, and dance. This season, the Kansas City Ballet is staging choreographer Michael Pink's Dracula, based on Stoker's classic work.
A prisoner on death row, for a decade, prepares to die. But, then something goes wrong on the morning that's supposed to be his last - the lethal injection is not lethal. That's the premise of the production, When I Come to Die, at the Kansas City Repertory Theatre.
Many ballets often depend on the concept of tension, whether in the muscles of the dancers or the story itself. That may be even more evident in the Kansas City Ballet's production of Dracula, opening this Friday.
In bringing the iconic character to the stage, the company is venturing to its dark side with a production that is the first in the Ballet's history to come with parental discretion advised.
Set in 1918, in the British trenches of Saint-Quentin, Aisne, R.C. Sherriff's Journey’s End tells the story of commanding officers Captain Stanhope and Lieutenant Osborne, as they discuss the impending battle in the officers' dugout.
For more than three centuries, Salem, Mass., has been linked to the infamous witch trials. In 1692, at least 20 men and women died after being convicted of witchcraft; it was then considered a crime punishable by death. Hundreds more faced accusations.
A new production at the Coterie Theatre, Afflicted: Daughters of Salem, provides the story behind the girls — the accusers, who started it all.
Afflicted is written by Laurie Brooks, a longtime Coterie collaborator. She says the play is "not easy. It’s subtle, it’s complex. It's about relationships."
The one-woman play, Grounded, by George Brant, explores the destructive power of modern warfare through the eyes of a female combat pilot. After an unexpected pregnancy, she's reassigned to a windowless trailer in the Nevada desert as the desk pilot of a military drone.
The Unicorn Theatre's productionmarks the third in a series of "rolling world premieres" presented by members of the National New Play Network, dedicated to the development of new work.
The Kansas City Repertory Theatre’s annual production of A Christmas Carol has a large cast, including about three dozen children and young adults. Rehearsals start in early November, and the hours can be long and demanding. There are song lyrics, and sometimes lots of lines to learn. It’s a challenging job for the young actors - and for the staff charged with keeping track of them.
This week, the Unicorn Theatre opens the play Clybourne Park, which has the distinction of winning the 2012 Tony Award for Best Play and the Pulitzer Prize. Its two acts take place in the same house 50 years apart, and examine with equal humor and drama all the varying shades within the phrase, "There goes the neighborhood."
This season, the Kansas City Repertory Theatre has added a second show to their holiday schedule. The Santaland Diaries is a dark comedy written by David Sedaris and adapted for the stage by Joe Mantello. The one-man show is a prickly retelling of Sedaris’ stint as a Macy’s elf during the Christmas season.
At 28, rising pop star Janelle Monae has collaborated with musical royalty, like Erykah Badu and Prince. Last summer, she was featured in Fun’s runaway hit We Are Young, and recently played Saturday Night Live, with songs from her new album Electric Lady, which debuted as number 5 on Billboard’s 200
But the Kansas City, Kan., native had her first local headliner at the Uptown Theatre on November 15. It was a boisterous, sold-out party attended by dozens of her family members and former teachers.
The Magic Flute, by Wolfgang Amadeus Mozart, first premiered in Vienna in 1791. A comic tale of love buffeted by the forces of good and evil, the opera is a singspiel, including both spoken dialogue and song.
For the Lyric Opera of Kansas City's production, artist and ceramicist Jun Kaneko, based in Omaha, Neb., designed the fanciful set design and costumes.
Most theater productions comfortably nest in traditional, familiar venues, with a proscenium arch, a set taking up three walls, and the audience making up the fourth. Occasionally, though, the material calls for a stretch of the boundaries.
“Wicked”: “Wizard of Oz” prequel about the Wicked Witch of the West and Glinda the Good 7:30 Thursday, 8 p.m. Friday, 2 & 8 p.m. Saturday, and 1 and 6:30 p.m. Sunday Music Hall, 301 W. 13th Tickets: Start at $30
While area theaters often stage shows with Christmas or Hanukkah themes around the year-end holidays, it seems October has taken a lesson from December. Currently at Crown Center, Coterie Theatre is offering a version of Dracula, while at Off Center Theatre, the Egads! Theatre Company is staging a bloody show with a notorious reputation - the musical version of Stephen King's horror novel, Carrie.
It's the ultimate collaboration for three dancing companies in Kansas City. The Kansas City Ballet will join forces with Owen/CoxDance Group and Wylliams/Henry Contemporary Dance to present a triumvirate of original work .
On Friday's Up to Date, we talk about why this collaboration is so groundbreaking and what it means for dance culture in the city.
Between this month and next summer, The Coterie Theatre will unveil three world premieres, including a new play inspired by the classic novel The Red Badge of Courage. Playwright Melissa Cooper calls the play Red Badge Variations, and rather than revisit the book's Civil War setting, she was given the go-ahead to update it in order to tell the story of five soldiers serving in present day Afghanistan.
A festive crowd gathered Saturday evening at Roanoke Park with blankets and lawn chairs for the 15th Annual "Dance in the Park" presented by City in Motion Dance Theater. Local companies presented a diverse range of dance ranging from modern to classical ballet, and East Indian to Afro-Brazilian capoeira.
In its 40th year, the Unicorn Theatre continues its mission of bringing new American plays to Kansas City audiences. Among the themes explored this season are racial identity, family dysfunction, and, with its kickoff production, Venus in Fur, the ever-shifting power dynamic between men and women.
The Kansas City Repertory Theatre launches its new season this week with a history lesson wrapped inside a musical. Called The Tallest Tree in the Forest, it examines both the contributions and controversies of Paul Robeson, who at the height of his acting and musical career was perhaps the most famous African-American man in the world.
The Kansas City Ballet is joining other dance companies around the country – from Boston Ballet to the Alvin Ailey American Dance Theater – to create a training ground for young dancers: a second company.
Devon Carney, newly appointed artistic director of the Kansas City Ballet, described the second company, Kansas City Ballet II (KCB II), as a "natural next stage of development," based on the Ballet’s growth in recent years.
Playwright William Inge, the Independence, Kan. native who went on to win a Pulitzer and an Oscar, would have turned 100 this year. To honor that birthday, Kansas City Actors Theatre is staging Picnic, set in the 1950s in small town Kansas. The rehearsal process has revealed that it's a play much deeper and darker than the company originally believed.
In this scene from Picnic, 18-year-old Madge Owens (Emily Peterson), universally acclaimed as the "prettiest girl in town," and her 16-year-old sister, Millie (Alisa Lynn), discuss the upcoming Labor Day picnic.
Millie, a tomboy, is uncharacteristically wearing a dress. As Madge paints her toenails, Millie interrogates her sister about how to handle boys.