theatre

Cory Weaver / Kansas City Repertory Theatre

Ten years ago, when Eric Rosen was angling for the job as artistic director of Kansas City Repertory Theatre, he pitched a new adaptation of A Christmas Carol. It was something he'd wanted to do for years while running a theater company in Chicago. Now he's finally bringing it to the stage.

"It's sort of a dream project in the sense of having a scope and a cast and a capacity to make something huge that we don't often get to do," Rosen says. 

Tiffany Matson / James Beard Foundation

When Beck Weathers' climbing group joined other expeditions summiting Mount Everest in May of 1996, no one knew eight mountaineers would not return. Today, we speak with Weathers about his survival story, and learn about an opera depicting the deadly climb. Then, we catch up with three Kansas City chefs lending their prowess to a high-profile culinary event hosted by the James Beard Foundation.

Playwright August Wilson wrote a series of ten plays, one for each decade of the 20th century, that examines the black experience in America.

courtesy: Kansas City Repertory Theatre

The musical Between the Lines has been in development for the past three years. This weekend marks its debut at the Kansas City Repertory Theatre.

The show is based on the bestselling book, co-written by Jodi Picoult and her (then teenage) daughter, Samantha van Leer. In the novel, a teenager, Delilah, gets a crush on a fairytale character, Prince Oliver — and the lines blur between fantasy and reality. 

The Mighty Mo Combo

Today, Up To Date previews the Kansas City Fringe Festival with a look at two of this year's acts.

First, we find out what a group of Kansas City musicians are doing to bring the music of Ella Fitzgerald back to life. Then, we meet the playwright, actress, and University of Kansas professor who turned her cancer diagnosis into a one-woman comedic play.

SFS Architecture

The doors of the old King Louie West Lanes bowling alley and ice skating rink have been closed to the public since 2009. On Saturday, the iconic building will reopen, this time as the Johnson County Arts & Heritage Center.

Public Domain / Detroit Free Press

Five decades ago, social unrest gripped cities across the country, at one point even spilling into the streets of Kansas City. Today, we find out what the "long, hot summer" of 1967 can teach us about race relations and cultural diversity in present-day America. Then, host Steve Kraske brushes up on his Shakespearean script-reading skills with veteran acting coach and director Ian Wooldridge.

Quixotic Cirque Nouveau

For centuries, research about women has been flawed. Today, we learn how gender and cultural bias has affected scientific study.  Author and journalist Angela Saine says new research refutes the long-held view that women are inferior. Also, we explore the creative process behind the Kansas City performance art group Quixotic.

Laura Spencer / KCUR 89.3

The University of Missouri system is facing a $101 million budget crunch due to cuts in state funding, as well as declining enrollment at the campus in Columbia. 

UM System President Mun Choi on Friday presented plans for the budget in fiscal year 2018.

For UMKC, proposed cuts could mean $15.4 million less in spending and the loss of 51 positions — including four faculty members from the Theatre Department and a $400,000 decrease in the department's budget. 

Marleah Campbell / KCUR 89.3

Television has rapidly evolved since its humble, black-and-white beginnings. Today, we discuss how  TV has forever changed the American culture. Then, actress and activist Morgan Fairchild joins us to discuss her advocacy work and insights on current events and politics.

courtesy Todd Rosenberg Photography

If you're not standing after a live performance of classical music, theater, or musical theater in Kansas City, you might be sitting alone. 

Standing ovations are standard practice these days, and that was the topic of discussion on Thursday's Central Standard.

So when it comes to a standing ovation, why do we stand up? And when does a production deserve it?