The Kansas City Repertory Theatre announced this month that Kyle Hatley, associate artistic director, plans to relocate to Chicago in August.
Hatley, a 33-year-old native of Memphis, started working at the Rep in 2008. During his time in Kansas City, Mo., he's earned a reputation as an energizing force in the theater community — as an actor and director, as well as the creator of innovative new works at the KC Fringe Festival and the Living Room.
The Heart of America Shakespeare Festival’s production of "The Winter’s Tale" is well underway. But it takes a lot of time and effort – and people — to put the show together. For our series, From Page to Park, we’re taking a behind-the-scenes look at the process.
About two weeks ago in Southmoreland Park in Kansas City, Mo., actors, musicians, designers and directors were working through perhaps the most intricate part of staging a play, a rehearsal called tech.
In this scene from The Coterie's production of "Chitty Chitty Bang Bang," Baron Bomburst (Jerry Jay Cranford) and Baroness Bomburst (Julie Shaw) express their love for each other through song and a series of gags and tricks.
"We are the Baron and Baroness of Vulgaria. I am about to have my birthday party, and I am very excited about it and completely forget that she’s alive," explains Cranford, a Broadway veteran, with a laugh.
Kicking off the summer with a trip to the Vegas strip, Heartland Men’s Chorus is bringing “Vegas Baby” to the Folly Theater in Kansas City, Mo., in what's envisioned as a lavish spectacle. The chorus, with 150 singers, will be joined by magicians, showgirls and aerial acrobatics.
Guest conductor Anthony T. Edwards says one of the highlights for him will be seeing Quixotic perform onstage as the chorus sings Cirque du Soleil’s Let Me Fall.
For more than two decades, the Heart of America Shakespeare Festival has turned Southmoreland Park into a place where Hamlet posed questions, Macbeth’s witches toiled and troubled, and Romeo and Juliet professed their love. This year’s production of The Winter’s Tale, one of Shakespeare’s lesser known plays, will come to life thanks to like-minded artists whose collective goal is to make the play leap effortlessly From Page To Park.
The Kansas City Repertory Theatre on Wednesday announced $3 million from the Hall Family Foundation, the largest gift in the company's history. The funds will support the renovations of the Spencer Theatre and its lobby in James C. Olson Performing Arts Center on the UMKC campus.
The center was completed in 1979. The Rep's artistic director, Eric Rosen, said the stage is ready for an upgrade as the company marks its 50th year.
The 1960s marked “the second golden age” in Kansas City’s theater history, according to historian Felicia Hardison Londré. It was a time of transition from touring companies providing entertainment to the city creating its own.
For Kansas City, this meant the creation of the first resident professional theater company since the 1930s: the Missouri Repertory Theatre, now known as the Kansas City Repertory Theatre. The “solid foundation” of the Rep, said Londré, led to the thriving theater scene across the Kansas City metro today.
Much like Vincent Van Gogh, Mexican artist Frida Kahlo wasn’t famous in her own lifetime. A new play at The Living Room examines the artist's trials and tribulations, especially a series of tragic events that would have daunted many people but actually motivated her to paint in the first place.
Kahlo had a look as distinctive as her art. In a series of self-portraits, she emits a piercing stare from beneath an arched unibrow and a crown of braids. And her work has found the acclaim that eluded her in life.
The Unicorn Theatre's production of Water by the Spoonful marks the local premiere of the Pulitzer Prize-winning drama. But the play may be more noteworthy for its meaty, multi-layered characters of Puerto Rican heritage, and the fact that the actors playing them represent ethnic diversity that's rare to see on a Kansas City stage.
Nathan Darrow, an actor from Overland Park, Kan., has rocketed to stardom in his role as Edward Meechum on the Netflix show House of Cards. Darrow got his big break when he completed a world tour with a Sam Mendes production of Richard III, also starring Kevin Spacey. (A one-time screening of a documentary about thatworld tour will take place at the Tivoli April 29 at 7:30 p.m.
It seems every new musical is based on a familiar movie, such as the current Broadway productions of Rocky, Bullets Over Broadway, and Aladdin. There are notable exceptions, though - original stories crafted from pure imagination.
Opening its world premiere production at the Kansas City Repertory Theatre is a show taking up that challenge called A Little More Alive.
Get that spring into your step with Brian McTavish's Weekend To-Do List for March 21-23, 2014.
Lyric Opera of Kansas City: “La Boheme” (Classic opera by Giacomo Puccini), 7:30 p.m. Friday and 2 p.m. Sunday at the Kauffman Center for the Performing Arts, 1601 Broadway, Kansas City, Mo. Tickets: $90 to $160
The National World War I Museum, housed at the base of the Liberty Memorial, is this year marking the 100th anniversary of the start of that war. By pure coincidence, the national tour of the Tony Award-winning play War Horse arrives at the Music Hall next month, creating a rare convergence of history and theatricality in Kansas City.
For the past 16 years, University of Missouri-Kansas City graduate students in theater design have participated in an intensive professional training exercise called a charette. Visiting artists from the profession visit the university to both encourage and critique the students, who are given five days to design the set, costumes or lighting for a production that will never really open.
Want to get rid of the post-Mardi Gras blahs? Check out Brian McTavish's Weekend To-Do List for March 7-9, 2014.
Golden! Girls Gone Wild!!! (Late Night Theatre returns with cross-dressing satire of TV’s “The Golden Girls”), opens at 8 p.m. Friday with performances through March 31 at Missie B’s, 805 W. 39th, Kansas City, Mo. Tickets: $18 (816-235-6222)
A prisoner on death row, for a decade, prepares to die. But, then something goes wrong on the morning that's supposed to be his last - the lethal injection is not lethal. That's the premise of the production, When I Come to Die, at the Kansas City Repertory Theatre.
Set in 1918, in the British trenches of Saint-Quentin, Aisne, R.C. Sherriff's Journey’s End tells the story of commanding officers Captain Stanhope and Lieutenant Osborne, as they discuss the impending battle in the officers' dugout.
For more than three centuries, Salem, Mass., has been linked to the infamous witch trials. In 1692, at least 20 men and women died after being convicted of witchcraft; it was then considered a crime punishable by death. Hundreds more faced accusations.
A new production at the Coterie Theatre, Afflicted: Daughters of Salem, provides the story behind the girls — the accusers, who started it all.
Afflicted is written by Laurie Brooks, a longtime Coterie collaborator. She says the play is "not easy. It’s subtle, it’s complex. It's about relationships."
The one-woman play, Grounded, by George Brant, explores the destructive power of modern warfare through the eyes of a female combat pilot. After an unexpected pregnancy, she's reassigned to a windowless trailer in the Nevada desert as the desk pilot of a military drone.
The Unicorn Theatre's productionmarks the third in a series of "rolling world premieres" presented by members of the National New Play Network, dedicated to the development of new work.
The Kansas City Repertory Theatre’s annual production of A Christmas Carol has a large cast, including about three dozen children and young adults. Rehearsals start in early November, and the hours can be long and demanding. There are song lyrics, and sometimes lots of lines to learn. It’s a challenging job for the young actors - and for the staff charged with keeping track of them.
This week, the Unicorn Theatre opens the play Clybourne Park, which has the distinction of winning the 2012 Tony Award for Best Play and the Pulitzer Prize. Its two acts take place in the same house 50 years apart, and examine with equal humor and drama all the varying shades within the phrase, "There goes the neighborhood."
This season, the Kansas City Repertory Theatre has added a second show to their holiday schedule. The Santaland Diaries is a dark comedy written by David Sedaris and adapted for the stage by Joe Mantello. The one-man show is a prickly retelling of Sedaris’ stint as a Macy’s elf during the Christmas season.
At 28, rising pop star Janelle Monae has collaborated with musical royalty, like Erykah Badu and Prince. Last summer, she was featured in Fun’s runaway hit We Are Young, and recently played Saturday Night Live, with songs from her new album Electric Lady, which debuted as number 5 on Billboard’s 200
But the Kansas City, Kan., native had her first local headliner at the Uptown Theatre on November 15. It was a boisterous, sold-out party attended by dozens of her family members and former teachers.
Most theater productions comfortably nest in traditional, familiar venues, with a proscenium arch, a set taking up three walls, and the audience making up the fourth. Occasionally, though, the material calls for a stretch of the boundaries.
“Wicked”: “Wizard of Oz” prequel about the Wicked Witch of the West and Glinda the Good 7:30 Thursday, 8 p.m. Friday, 2 & 8 p.m. Saturday, and 1 and 6:30 p.m. Sunday Music Hall, 301 W. 13th Tickets: Start at $30