If you’ve walked or driven by the Nelson-Atkins Museum of Art recently you’ve probably noticed a flurry of activity on the southeast corner of the grassy lawn. Work is underway to ready the site for the installation of a new sculpture, Glass Labyrinth, a triangular-shaped, glass-walled labyrinth designed by artist Robert Morris, a native of Kansas City, Mo.
The city of Kansas City, Mo., will commission $100,000 of public art for the first phase of the streetcar line, and has announced a request for proposals.
In a release Friday, the city said it is looking for professional artists or artist-led teams to create proposals for art projects to be displayed at selected streetcar stops. The release says while all proposals will be considered, the city is looking for ideas that integrate the artwork into the infrastructure of the stops.
At Kansas City International Airport, Air Canada, US Airways and United are moving to Terminal C, and Terminal A is expected to close on Jan. 9, 2014. But what does this mean for the public artwork - inside and outside the terminal?
In January, the Mayor’s Task Force for the Arts launched a series of meetings - at community centers, nature centers, libraries and other venues - to try to map out a vision for Kansas City’s arts and cultural policy.
Prompted by a recent visit to the Overland Park Arboretum and Botanical Gardens with her family, an area resident has started circulating a petition to remove one of the sculptures. The work is called "Accept or Reject" (note: a brass plaque also lists the title as "Choice") by sculptor 余畅 Yu Chang, an artist who also reportedly directs theGuangzhouSculpture Academy. Overland Park officials say that, at this time, there are no plans to remove it from the Arboretum.
Parking garages in Kansas City are infused with art - from the light and sound work called Pulse, next to City Hall; to the dancing lights in the underground garage at the Nelson-Atkins Museum of Art from a reflecting pool overhead. In the new parking garage at the Kauffman Center for the Performing Arts, there's a public art installation activated by movement.
On the grassy lawn near the Federal Reserve Bank in Kansas City, trucks are hauling cargo shipping containers to be unloaded and stacked into a towering, temporary sculpture. One hundred and five containers, piled almost seven stories high, will spell out IOU on one side and USA on the other. It's a nod to this country's increasing federal budget and foreign trade deficits.
Renovations of the police communications building mean that a well-known statue will have to find a new home. Will it be sent to storage or be moved to another public spot in Kansas City? The debate is on!
By Sylvia Maria Gross, Laura Spencer, Brenna Daldorph