As the Kansas City Symphony warmed up in the pit, some 300 metro-area students filed into Muriel Kauffman Theatre for The Lyric Opera of Kansas City’s Thursday night dress rehearsal. The production of "The Italian Girl in Algiers" updates Gioachino Rossini’s zany farce by turning the heroine Isabella (Irene Roberts) into an adventurous aviatrix. She's determined to rescue her one true love Lindoro (Taylor Stayton) who has been taken captive by the Turkish Bey Mustafa (Patrick Carfizzi).
Richard Gibson, 33, enlisted in the U.S. Marine Corps just after high school and was stationed in Iraq. When his service ended in 2003, and he returned to Kansas City, he was diagnosed with post-traumatic stress disorder.
With a love for singing and performance, Gibson turned to opera. For the past eight years, he's been a member of the Lyric Opera of Kansas City chorus. He's also taking on a new role, as conductor of a Veteran's Chorus.
As they waited for other musicians and singers to arrive, composer Hunter Long and mezzo-soprano Anna Hoard lounged among music stands and percussion instruments in a sixth-floor room in the Town Pavilion building in downtown Kansas City, Mo. Hoard sings the role of Charlotte in Long’s new chamber opera titled Lost in Translation, one of five new operas that will have their world premiere on Friday.
It's a Thursday morning in the rehearsal space at the Lyric Opera Center in the Crossroads Arts District. About 20 students from the Kansas City Art Institute stand on either side of a long table covered with sketches, floor and building plans and colorful set drawings. They reach into pockets to snap photos with cell phones, or focus in with larger cameras.
For the past 25 years, the Lyric Opera of Kansas City’s apprentice program has offered graduate-level voice students at the University of Kansas and the University of Missouri-Kansas City a chance to develop their operatic skills on a professional stage.
Auditions for the two-year program are competitive; there are only about a handful of positions. The apprentices then have the opportunity to appear in either two or three productions at the Lyric each year.
The Magic Flute, by Wolfgang Amadeus Mozart, first premiered in Vienna in 1791. A comic tale of love buffeted by the forces of good and evil, the opera is a singspiel, including both spoken dialogue and song.
For the Lyric Opera of Kansas City's production, artist and ceramicist Jun Kaneko, based in Omaha, Neb., designed the fanciful set design and costumes.
Composer Kirke Mechem grew up in Topeka, Kansas, but he's lived in San Francisco since 1963. He says he still considers himself a Midwesterner: "You can take the boy out of Kansas, but you can never take Kansas out of the boy."
The tragic tale of love and betrayal marks the return of soprano Elizabeth Caballero to the Lyric Opera as the title character in "Madama Butterfly." Cabellero performed the role of Liù, a slave girl, in the Lyric's production of "Turandot" in 2011.
This summer's heat didn't affect the staff building scenery for the Lyric Opera of Kansas City, probably the first time in three decades. In June, the Lyric moved tools, lumber, and other items from an un-air conditioned space in the East Bottoms to a new production facility in the East Crossroads.
Kansas City, Mo. – KCUR's Laura Spencer visited on a hot day in July (the expected high was 101), and filed this report.
The Lyric Opera of Kansas City, one of the three resident companies at the Kauffman Center for the Performing Arts, has announced its 2011-2012 season, its first in the new venue. As KCUR's Laura Spencer reports, the announcement began with a twist.
Kansas City, MO – For the past 14 years, the Lyric Opera of Kansas City has hosted elementary to high school-aged kids for its two-week opera camp. As KCUR's Steve Walker reports, this year's campers are working on an opera with significance to one of the camp's special guests.
Pinocchio will be presented on Friday, August 4, 2006 at 2:30 pm at the Lyric Theatre.