museums/galleries | KCUR

museums/galleries

Olivia Clanton/Brandon Forrest Frederick

Sometimes, a work of art is just what its creator says it is. And sometimes, an art gallery is exactly the offbeat destination intended by its design.

Rarely do these two phenomena play together as though they were made for each other, but that’s what’s happening this month at Open House, a quasi-guerrilla space in a West Plaza house.

On display is an amusing and provocative project by Kansas City Art Institute graduate Paul Shortt, titled “How to Loiter” and made to encourage just that.

Julie Denesha / KCUR 89.3FM

People don't often think about preserving the valuable things they own on paper until it's too late. But when that time comes, one Kansas City man is often able to help.

Mark Stevenson is used to seeing paper in every state of disrepair. A professional paper conservator, he has spent the past 25 years restoring prints for prestigious museums both large, such as the National Gallery of Art in Washington, D.C. and The Nelson-Atkins Museum of Art, and and small like The Fogg Art Museum at Harvard.

Julie Denesha / KCUR 89.3FM

Two times every year, a group of admittedly obsessive collectors gets together for a "show and tell." And sometimes, what the members of the The Print Society of the Nelson-Atkins Museum of Art are most excited about can end up on the walls of area museums.

Courtesy H&R Block Artspace

"I'm coming back as a minimalist in my next life," Dannielle Tegeder says. She offers a short, self-effacing chuckle and adds, "I can't wait."

She's talking to an invited group of 20 people previewing her new exhibition at H&R Block Artspace. The title, at least, is a mouthful: "Chroma Machina Suite: Forecasting Fault Lines in the Cosmos." And the show, slated to last into March, comes with an intimidating schedule of programs. There will be meditation. There will be dancing.

Courtesy Bill Haw Jr.

The Crossroads building recently vacated by the Kemper Museum of Contemporary Art is being purchased by Kansas City civic leader Bill Lyons, who plans to lease part of it to an expanded Haw Contemporary.

Bill Haw Jr. plans to lease about 2,500 square feet on the east side of the building at 19th and Baltimore to allow him to grow beyond his current operation in the West Bottoms, Lyons said.

E.G. Schempf

Cardboard has a smell.

You notice it as soon as you walk into the glass-encased Kansas Focus Gallery at the Nerman Museum of Contemporary Art, where eight of May Tveit’s cardboard sculptures emerge from the walls like sentries, layers of flat, precision-cut cardboard stacked into pyramids arranged in various rectangles. You recognize the smell; you just weren't expecting it in an art gallery.

But why not? As Tveit's exhibition makes clear, cardboard is an evocative medium. 

Julie Denesha / KCUR 89.3FM

When seven Kansas City poets read new work this weekend, it'll be inspired by colorful, layered collages — a pieced-together medium that holds deep meaning for one emerging area artist.

“I think about collage as a metaphor to describe black culture,” says Glyneisha Johnson, a recent graduate of the Kansas City Art Institute and Charlotte Street Foundation resident artist.

courtesy: Kemper Museum of Contemporary Art

The Kemper Museum of Contemporary Art's third location, Kemper at the Crossroads, has closed. 

"An exhibition on display there was scheduled to close on Saturday, December 2," says Breeze Richardson, director of marketing and communications. "It felt like the most appropriate way to frame the closing, not installing a subsequent exhibition."

A sale of the property has been negotiated but not finalized, she adds.

Erwin E. Smith Collection of the Library of Congress / On Deposit at the Amon Carter Museum

The worn-slick saddle encased in Plexiglas is not a standard fixture of the Kansas City Public Library’s grand, marbled entry hall. But it's not out of place, either, considering that the stately former First National Bank building, which opened in 1886, is a monument to how cosmopolitan the cattle industry once made our town.

Courtesy The Nelson-Atkins Museum of Art

The Nelson-Atkins Museum of Art announced on Wednesday that it had acquired more than 800 photographs thanks to a $10 million grant made two years ago by the Hall Family Foundation.

Luke X. Martin / KCUR 89.3

It's not every day you see — well, hear about — a set of 17-foot-tall, 4 1/2-ton gilded doors, but today is that day. We broadcast live from the Nelson-Atkins Museum of Art, and get the rundown on just such a set of doors, originally sculpted in the 15th century by Lorenzo Ghiberti.

Courtesy Chris Ortiz

Samantha Beeson definitely does not like to be the center of attention. But that hasn't prevented her from being the subject of a photography exhibition.

Beeson lives with an array of difficulties that her partner, photographer Chris Ortiz, describes as “social anxiety disorder, depression, PTSD and panic attacks as a result of a past abusive relationship.” Her "everyday struggle to manage these disorders" is the point of his exhibit “Living With Sam.”

Paul Andrews / paulandrewsphotography.com

Julián Zugazagoitia came to Kansas City in 2010, to take a job as CEO and director of the Nelson-Atkins Museum of Art. The new guy from Mexico by way of New York and Paris made a fast impression as a lanky intellectual with a worldly resume and a lot of energy.

The Midwest made an equally large impression on him.

"Coming to the Midwest definitely was as foreign a country as I have ever been," he jokes.

Kansas City initially felt like a tiny village.

Julie Denesha / KCUR 89.3

Tiny works by 68 artists from around the world, on display this weekend at the National Museum of Toys and Miniatures, can help us understand "what defines us as humans,” according to the museum's director.

To host this special exhibit celebrating all things small, the museum partnered with the International Guild of Miniature Artisans for a juried showcase of fine-scale miniatures.

Cameron Wiley

Painter Melissa McCracken says ugly music does exist, but nothing that looks so bad she has to turn it off. It really only gets as homely as some brown around the edges of a twangy country song. Funk and soul are vibrant. Jazz is sparkly. Radiohead has a lot of layers.

Courtesy Kemper Museum of Contemporary Art

Land-locked Kansas City might not have obvious connections with the Caribbean Sea. But in creating her new wall-sized installation at the Kemper Museum of Contemporary Art, an artist based in New York – by way of Haiti and the Dominican Republic – found connections that run deep.

Archives of American Art / Smithsonian Institution

Joe Jones doesn’t sound like the name of a great artist – it sounds like the name of a house painter, which is what Jones was during his early days in St. Louis. But an exhibition at the Albrecht-Kemper Museum in St. Joseph argues that Jones' name deserves to be as well known as his regionalist contemporaries: Thomas Hart Benton, John Steuart Curry and "American Gothic" painter Grant Wood.

Todd Feeback / ShadowLight Images

At his sculptor's stand, paleoartist Gary Staab adjusted the expression on a 125-million-year-old predator in pursuit of prey.

Danny Wood / KCUR 89.3

Visitors to art galleries usually aren't there to look at picture frames. But frames at The Nelson-Atkins Museum of Art recently got some unusual attention, and one independent art specialist says they should get even more.

Anonymous / AP

Half a century ago war, protests, and political scandal rocked the United States. Sound familiar? But, out of all that a small-time hoodlum from Butte, Montana rocketed into national prominence, on a motorbike. Evel Knievel's career took off like a rocket, but crashed even faster. Now a new museum celebrates all that is Evel.

As a new Evel Knievel museum opens in Topeka, we look back at the legacy of this all-American daredevil. 

Plus, a panel of local educators joins us to help make sense of civics and the separation of powers in the American government.

Guests:

SFS Architecture

The doors of the old King Louie West Lanes bowling alley and ice skating rink have been closed to the public since 2009. On Saturday, the iconic building will reopen, this time as the Johnson County Arts & Heritage Center.

Steve Kraske / KCUR 89.3

The former King Louie West Lanes facility in Overland Park, Kansas, has seen a dramatic change. The building is now the Johnson County Arts and Heritage Center.  

With space for theater, dance and the visual arts — as well as being the new home for the Johnson County Museum — the Center is a multipurpose destination for the community.  

Today, we talk with county officials about the years-long project and what visitors can expect — just in time for the grand opening on Saturday.

Danny Wood / KCUR 89.3

A unique collection of jazz art is on display in Kansas City’s Northland. The collector, Juan Houston hopes the display will draw attention to the little-known Garrison School Cultural Center in Liberty.

“He is local, he was born and raised here in Liberty, Missouri, and he wanted to do this for Garrison School to let the community come up to see Garrison as well as see his collection,” says Cecilia Robinson, a retired William Jewell College English professor.

Courtesy Todd Weiner Gallery

For years, Col. Doug Tystad (retired) regarded the little bronze statue as a cowboy. He’d walked by it countless times on his trips up and down the halls of the Command and General Staff College in Leavenworth, where he’s the CEO of CGSC Foundation.

Then one day he paused to look at the figure.

Julie Denesha / KCUR 89.3

One of the Kansas City art world's most legendary characters — and most fearsome promoters of area artists — has died at age 74.

Tom Deatherage, who lived in an art-filled apartment above his gallery The Late Show, died peacefully and surrounded by loved ones after a long illness on Tuesday morning, according to friends who were present. He had been an art dealer in Kansas City for more than 25 years.

Courtesy Todd McLellan

Taking things apart and putting them back together again is almost hypnotic. And that is what Canadian artist Todd McLellan does in Things Come Apart, an exhibition from the Smithsonian Institution opening this weekend at the Kansas City Public Library.

A time-lapse video patches together images of objects swiftly being disassembled then reassembled. Buttons, coils and wires are exposed, neatly organized against a white background.

C.J. Janovy / KCUR 89.3

The long-running effort to recreate the Kansas City Museum as a major local history museum entered a new phase Monday with the announcement of $1 million in private commitments pledged toward a total of $15 million in private and public money city leaders say is needed to restore the property to "its former glory."

Megan Mantia

Lynnette Miranda is never quite sure what art will be in the shows she curates. Miranda, a Miami native who’s six months into an 18-month stint as the Charlotte Street Foundation's curator-in-residence, says she curates artists, not art objects.

Luke X. Martin / KCUR 89.3

The Bloch family has given a lot to Kansas City, including a donation of 29 masterworks by Impressionist and Post-Impressionist artists of the late 19th century to The Nelson-Atkins Museum of Art.

Today we're live from the Bloch Galleries, previewing the collection's new home inside the museum. 

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