There's a scene in Cédric Klapisch's warm, exuberant comedy Chinese Puzzle that perfectly captures both the beauty and complications of a life well lived. A discussion between two men (one living, one a hallucination) proposes that a piece of embroidery is an apt metaphor for the human condition: on one side is a lovely picture of a moment captured in time. But turned over, one sees all of the knotty entanglements.
When independent films feature a small town and a huge corporation at their core, they are usually depicted as foes like David and Goliath – the good and the average against the lumbering giant.
Local Hero from 1983 comes to mind, as does Promised Land, the recent movie about fracking in the Midwest. The Grand Seduction, however, reverses that formula, proving that the battle lines aren’t always drawn that cleanly.
As the march toward full equality for lesbian, gay, bisexual and transgender people in America advances at varying speeds, there remains a sense that the LGBT community can still be marginalized in the movies. That's what makes film festivals like Out Here Now so relevant to the LGBT communities and their staunch allies.