To look at the collected paintings of Pierre-Auguste Renoir is to see all possible colors and textures made more rich and tactile by the light. Gilles Bourdos’ evocative Renoir is less a comprehensive biography than a portrait of the man in his golden years (played with astonishing physical accuracy by Michel Bouquet) when his output is hardly dented at all by his physical impairments.
A rebound romance, a look at the omnipresence of the digital world and a German girl’s confused journey at the end of World War II are all competing for moviegoers’ attention this weekend.
It takes great skill to make a movie that balances potentially incongruous tones of brutality, comedy and hope. With the marvelous new movie The Angels’ Share, director Ken Loach demonstrates that he is gifted enough to do that.
