It was just last year when Gloria Baker Feinstein and her husband had to move out of their house and into a condo, and get rid of many their possessions.
"It's not stuff," she said. "Everything had a reason. Everything had a memory. Everything felt really dear to me."
The couple had an estate sale, and Feinstein, a photographer, decided to document each item as it left her house. But the endeavor quickly turned into a different project -- one that is now on display in a local gallery.
The 13th Annual West 18th Street Fashion Show started at dusk on June 8, and drew a crowd of onlookers both on the street and from the windows above.
Camera phones flashed as models, wearing the creations of eighteen designers, pranced on a lighted runway in the canyon between buildings lining 18th Street. Behind-the-scenes, designers made last-minute adjustments and models primped as they prepared to mount the runway.
For the past decade, blues singer and bassist Cassie Taylor has made her home on the road. At age sixteen, she started touring with her father, bluesman Otis Taylor, and she started her own solo career a few years after that.
While Taylor has no plans to slow down, the 26-year-old veteran is settling down a bit. She was recently married and moved to the Kansas City area. Some of the true-life stories of the blues life and love lost and found are the subjects of her new CD, called Out of My Mind.
The Nelson-Atkins Museum of Art celebrated the opening of "Frida Kahlo, Diego Rivera and Masterpieces of Modern Mexico from the Jacques and Natasha Gelman Collection" on May 31, 2013, with an opening reception for museum members.
The exhibition showcases more than 100 paintings, sculptures, photographs and drawings collected by the Gelmans in their adopted homeland of Mexico.
They’ve been immortalized in museums, history books and on film. Their rocky marriage and ties to Communism made for fascinating lives. So how did Frida Kahlo and Diego Rivera’s tumultuous relationship influence their colorful creations of Mexican culture?
Inside – and outside – the gallery at PLUG Projects, works by seven artists from around the country incorporate natural materials, such as lichen, geodes, fungi and fauna. In their paintings, photography, sculptures, and installations, they explore new ways of seeing nature - and the impact of human intervention.
New theater companies and performance spaces are increasingly popping up in Kansas City. So when the American Heartland Theatre announced it was closing its doors in August, it was a startling development, especially to an actor like Debra Bluford, who has spent a good deal of her acting life there.
It was once a barbeque joint, then a Colombian restaurant. But now this storefront in Strawberry Hill has traded out sizzling slabs of ribs and empanadas for another kind of oven: a kiln.
The Epic Arts studio is the brainchild of Steve Curtis, a photographer and community organizer for Community Housing of Wyandotte County. Curtis has long wanted to make art more accessible in Wyandotte County.
After an extensive search process, the Kansas City Ballet has a new artistic director. Dancer, choreographer and teacher Devon Carney begins his new post in July. Carney succeeds outgoing artistic director William Whitener.
The Kansas City Ballet has named Devon Carney as the company's new artistic director. For the last decade, Carney has worked with Cincinnati Ballet; since 2008, he's served as associate artistic director.
Like any city of its size, Kansas City was designed and developed on an urban grid of streets and boulevards in order to make the city work. The Charlotte Street Foundation is currently presenting a month-long multimedia project that features nearly 40 artists who, in their own way, address how the city's layout is both influential, essential, and an ever-mysterious labyrinth.
After nearly 20 years as the chairwoman of the Kansas City Symphony's board, arts patron Shirley Helzberg is stepping down. Bill Lyons, civic leader and former CEO of American Century Companies, Inc., succeeds Helzberg on July 1.
It was only fitting that one of the pioneers of the Crossroads Arts District would announce on a First Friday, May 3, that after two decades, his gallery would close. John O’Brien moved the Dolphin from the Crossroads to the West Bottoms five years ago. But now he says it’s time for something new.
The signature style of the vocal group Octarium is eight singers, blended into one voice. After a decade of performances, this weekend marks the group's farewell concert. Octarium anticipates continuing to perform at least once a year, over the holidays.
The first floor galleries at the Nerman Museum of Contemporary Art are filled with glass display cases. Inside: the glittering black ceramics of Navajo artist Christine Nofchissey McHorse. Her abstract works bridge modern sculpture and traditional Southwestern pottery.
This marks Artistic Director William Whitener's final season with the Kansas City Ballet. After 17 years with the company, he's preparing to return to New York. Whitener answered a few questions before the final performances.
To look at the collected paintings of Pierre-Auguste Renoir is to see all possible colors and textures made more rich and tactile by the light. Gilles Bourdos’ evocative Renoir is less a comprehensive biography than a portrait of the man in his golden years (played with astonishing physical accuracy by Michel Bouquet) when his output is hardly dented at all by his physical impairments.
William Whitener became Artistic Director of the Kansas City Ballet in 1996. After having staged, taught, acquired, commissioned or created 85 works for the organization and seeing it move into its new rehearsal and performance spaces, Whitener now prepares to leave the Ballet and embark on yet another chapter in his remarkable career.
Over the last decade, it's estimated nearly 30 toy and doll museums closed across the United States. The Toy and Miniature Museum of Kansas City provided an update yesterday on its capital campaign to sustain the museum and its collection.
Dolphin Gallery's John O'Brien had hinted about a change for months. But, now, it's official. Dolphin, the exhibition space and framing business in the West Bottoms, will close after its last show (slated to open May 17).
Choreographer Karole Armitage, a native of Lawrence, Kan. says artist Jackson Pollock can be viewed as "a metaphor for the creative process"; his lines of dripped and poured paint are like a dance. Kansas City Ballet concludes its season with a world premiere by Armitage, exploring the intersection between art, jazz, and dance.