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The Last Descendants Reimagines History

Lone Ranger's "artifacts" at the Paragraph gallery.
photo: Laura Spencer/KCUR
Lone Ranger's "artifacts" at the Paragraph gallery.

Sometimes truth is stranger than fiction, or fiction can illuminate truths. Lawrence-based artist Judith Levy collapses the two, and reimagines history in an exhibition called The Last Descendants.

By Laura Spencer

http://stream.publicbroadcasting.net/production/mp3/national/local-national-989844.mp3

Kansas City, Mo. – Sometimes truth is stranger than fiction, or fiction can illuminate truths. Lawrence-based artist Judith Levy collapses the two, and reimagines history in an exhibition called The Last Descendants.

Dark-haired and petite, Judith Levy has always been drawn to secrets, starting with family stories.

"I have to say that when I was a kid, I was an eavesdropper," says Levy.

Scanning the newspaper became a reliable source for her curious mind. And in school, Levy says characters from history became a living, breathing thing for her.

"But my disappointments came when I realized that I had written a glowing report about President Andrew Jackson and later learned - maybe when I was a teenager - that he had tried to almost annihilate the Indians and was responsible for the Trail of Tears," says Levy.

So Levy developed the idea that she needed to question. And art could provide a way of doing that.

In Judith Levy's exhibition at the Charlotte Street Foundation's Paragraph gallery called The Last Descendants, she plays a Barbara Walters-type host ferreting out the truths in family stories, in a mockumentary style, like Waiting for Guffmann. Levy explores the history of fictional characters, like Hansel and Gretel, Huckleberry Finn, and the The Lone Ranger. She says it allows her to delve into real issues.

"Such as in Huckleberry Finn, racism, color. In Hansel and Gretel, famine and later, Nazi ideology and immigration," says Levy. "In the Lone Ranger, the nature of the development of the West and the infusion of Chinese and immigration. And also, the very intense relationship between the Lone Ranger and Tonto."

The Lone Ranger: The Last Descendants from Judith G. Levy on Vimeo.

For the scripted video segments, elaborately constructed family trees with photos, and artifacts, like the Lone Ranger's postcard collection, Levy does a lot of research. But she says there's also an element of entertainment and irreverence, as in this conversation with Hansel and Gretel's descendants, John and Diane.

Hansel and Gretel: The Last Descendants from Judith G. Levy on Vimeo.

Fiction, says Levy, has informed her understanding of history. And she quotes historian and journalist Allen Nevins who compared history to a painting: "and, like all works of art, it fails of the highest truth unless imagination and ideas are mixed with the paints."

The exhibition Judith G. Levy: The Last Descendants continues through November 5, 2011 at the Charlotte Street Foundation's Paragraph Gallery, 23 East 12th St., KCMO.

Panel discussion: "Was Huck Finn Black?" takes place Tuesday, October, 18, 2011, 6 pm. For more information, check here.

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Kansas City is known for its style of jazz, influenced by the blues, as the home of Walt Disney’s first animation studio and the headquarters of Hallmark Cards. As one of KCUR’s arts reporters, I want people here to know a wide range of arts and culture stories from across the metropolitan area. I take listeners behind the scenes and introduce them to emerging artists and organizations, as well as keep up with established institutions. Send me an email at lauras@kcur.org or follow me on Twitter @lauraspencer.
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