Music
5:10 pm
Mon February 13, 2012

The Ballad Of The Tearful: Why Some Songs Make You Cry

Originally published on Tue February 14, 2012 4:45 pm

Note: A number of listeners responded to this story and said the definition of appoggiatura was incorrect. Music commentator Rob Kapilow has a second opinion here.

British singer Adele won six Grammy Awards on Sunday night, including one for her aching ballad "Someone Like You." What is it that makes a song like hers such an emotional powder keg?

You know the feeling. It's one like this: "Your hair's standing up on end, shivers going down your spine, a lump coming into your throat, even tears running down your eyes," says John Sloboda, a professor of music psychology at London's Guildhall School of Music and Drama. Sloboda has studied physical reactions to music and found that one musical ornament in particular triggers a strong emotional reaction.

It's called an appoggiatura, from the Italian word "to lean." And while it's tough to define, it's not unlike a grace note. It's sometimes dissonant and resolves into a main note. The Wall Street Journal, which wrote about the appoggiaturas in Adele's song, says it can be easily heard when Adele sings the word "you" in the chorus. Have a listen:

According to Sloboda, that little vocal dip in there on the word "you" — that's the key to triggering an emotional response in a listener.

"Our brains are wired to pick up the music that we expect," says Sloboda. So when we're listening to music, our brain is constantly trying to guess what comes next. "And generally music is consonant rather than dissonant, so we expect a nice chord. So when that chord is not quite what we expect, it gives you a little bit of an emotional frisson, because it's strange and unexpected."

When Adele bounces around the note on "you," there's a tension that is then released, Sloboda explains.

"The music taps into this very primitive system that we have which identifies emotion on the basis of a violation of expectancy," he says. "It's like a little upset which then gets resolved or made better in the chord that follows."

All Things Considered host Melissa Block put Sloboda's theory to someone with a bit of insider knowledge about Adele's song: Dan Wilson, who co-wrote "Someone Like You" with Adele.

Wilson says he first heard of the term appoggiatura in the Journal article. "[The article] sort of talked about how Adele and I had used this secret trick about putting appoggiaturas in, but I didn't know what that was."

He has another theory about the song's roiling emotions.

"A good song allows us, the listeners, to walk through the songwriter or composer's thoughts and emotions as they wrote the song," he says. "That's why when you listen to The Replacements, you get this kind of giddy drunk feeling, probably because they were drunk when they recorded and wrote their song."

"With Adele, we wrote this song that was about a desperately heartbreaking end of a relationship, and she was really, really feeling it at the time, and we were imaginatively creating," Wilson says. "That walked her back through that experience. And when you and l listen to that song, we walk through her shoes through that heartbreaking experience — but it's in our imagination. And so instead of being devastating, we're like children play-acting. We get to have an imaginative experience."

"Hey, if I had a scientific method for making a heartbreaking hit, I would do it every day," Wilson says with a chuckle. "But it's not so easy."

Copyright 2013 NPR. To see more, visit http://www.npr.org/.

Transcript

MELISSA BLOCK, HOST:

What makes a song a weeper?

JOHN SLOBADA: Like your hair standing up on end, shivers going down your spine, a lump coming into your throat, even tears running down your eyes.

(SOUNDBITE OF SONG, "SOMEONE LIKE YOU")

BLOCK: And why is this song in particular such an emotional powder keg?

(SOUNDBITE OF SONG, "SOMEONE LIKE YOU")

ADELE: (Singing) I heard that you're settled down, that you found a girl and you're married now. I heard...

BLOCK: That's the aching ballad "Someone Like You," which won the British singer Adele one of her six Grammy Awards last night. Before that, we heard John Sloboda, professor of music psychology at London's Guildhall School of Music and Drama.

As we read in the Wall Street Journal, Sloboda has studied physical reactions to music. And he found that one musical ornament in particular triggers a strong emotional reaction. It's called appoggiatura from the Italian word "to lean."

And while it's tough to define, basically, it's not unlike a grace note, sometimes dissonant, that resolves into a main note. So when Adele sings the word "you" in the chorus, you're hearing appoggiatura.

(SOUNDBITE OF SONG, "SOMEONE LIKE YOU")

ADELE: (Singing) Never mind, I'll find someone like you...

BLOCK: That little vocal dip there on the word you, well, according to Professor Sloboda, that is key in triggering an emotional response in a listener.

SLOBADA: And each time it happens, there's a little tension which is then released. So tension-release, tension-release each time, and this goes on quite subconsciously. Basically, the music taps into this very primitive system that we have, which identifies emotion on the basis of a violation of expectancy. So it's a like a little upset, if you like, which than gets resolved or made better in the chord that follows.

BLOCK: So what about that theory? Well, we ran it by someone who should know.

DAN WILSON: I'm Dan Wilson, and I wrote, with Adele, the song "Someone Like You."

BLOCK: Well, Dan Wilson, does the term appoggiatura mean anything to you?

WILSON: I saw the term appoggiatura for the first time in an article in The Wall Street Journal about why "Someone Like You" makes people cry. And it sort of talked about that Adele and I had used this secret trick of putting appoggiaturas in. But I didn't know what that was.

BLOCK: Dan Wilson says he now knows what it means, but he has another theory for why that song drives people to tears.

WILSON: A good song allows us, the listeners, to walk through the songwriter or composer's thoughts and emotions as they wrote the song. You know, it's why when you listen to The Replacements, you get this kind of giddy drunk feeling...

(SOUNDBITE OF LAUGHTER)

WILSON: ...probably because they were drunk when they recorded it and wrote their song, you know? And with Adele, we wrote this song that was about a desperately heartbreaking end of a relationship. And she was really, really feeling it at the time, and we were imaginatively creating that walked her back through that experience. And when you and I listen to the song, we walk in her shoes through that heartbreaking experience, but it's in our imaginations. And so instead of being devastating, we're like children playacting. We get to have an imaginative experience. But, hey, if I had a scientific method for making a heartbreaking hit, I would use it...

(SOUNDBITE OF LAUGHTER)

BLOCK: You'd do it every time.

WILSON: ...every day.

(SOUNDBITE OF LAUGHTER)

WILSON: I would be using it every day of the week. So - but it's not so easy.

BLOCK: Dan Wilson co-wrote the song "Someone Like You" with Adele and played piano on it.

Dan Wilson, congratulations on the Grammy. Thank so much.

WILSON: Thank you very much.

(SOUNDBITE OF SONG, "SOMEONE LIKE YOU")

ADELE: (Singing) Sometimes it lasts in love but sometimes it hurts instead. Never mind, I'll find someone like you. I wish nothing but the best for you too. Don't forget me, I beg, I remember you said. Sometimes it lasts in love but sometimes it hurts instead... Transcript provided by NPR, Copyright NPR.

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