Film and animation students at the Kansas City Art Institute get some big-screen time – and a chance to see how their work goes over with a live audience – at their end-of-semester show on Wednesday at the Alamo Drafthouse Cinema in downtown Kansas City, Mo.
Prior to 1990, scientists had unearthed only twelve Tyrannosaurus rex skeletons, none of them more than 40 percent complete. In August of that year, Sue – the titular T. rex in the riveting new documentary Dinosaur 13 – changed everything.
When Casey Twenter came up with the idea for the movie Rudderless, starring Billy Crudup and directed by William H. Macy, he was a Kansas City guy working at an advertising agency. This conversation shares Twenter's story and offers insight into his on-screen exploration of parenthood and loss, love and guilt.
Kansas City has been missing out on valuable economic development – and image enhancement – opportunities by not having a fully staffed film office, but that should change now that Stephane Scupham has joined the Visit KC tourism office as film and new media manager.
"We're still here," says Gaylene Crouser of the Kansas City Indian Center. That's one of the many things she'd like people to understand about American Indians, a detail they might not pick up from mainstream movies. How have recurring characters on-screen shaped our perceptions of what it means to be indigenous in America?
It's directed by David Fincher (The Girl with the Dragon Tattoo, Fight Club,Seven), and Flynn wrote the screenplay. Cape Girardeau, Mo., on the banks of the Mississippi River, was a stand-in for the fictional North Carthage, Mo.
Everyone who’s ever stayed at a hotel turns into a hotel inspector as soon as the bellman closes the door. Does the bedspread look plush or threadbare? Is the bathroom gleaming or grungy? Will room service arrive promptly and hot or late and cold? In the new Italian film A Five Star Life, Margherita Buy wonders these and other things as a hotel inspector beginning to question the constriction and loneliness of a career that looks awfully glamorous from the outside.
Acclaimed Newbery Award-winning children's author Lois Lowry's book for young people, The Giver, is now a film.
"The Giver was the first book that I wrote that veered out of the realistic, and tiptoed a bit into fantasy. Some people call it science fiction. I don't like to think of it that way," Lowry tells our New Letters on the Air host Angela Elam.
The new dysfunctional family comedy Happy Christmas may have modest goals, but it makes an impact thanks to several lively and well-crafted performances. Chief among those is Anna Kendrick. The Oscar nominee from Up in the Air is delightfully scattered as Jenny, a young woman fresh off a break-up who retreats to her brother’s home in Chicago in hopes of reconnecting with old friends and sustaining a semi-permanent buzz.
Those whose movie addiction firmly took hold in the 1970s have a deep affinity for such films as Nashville, Taxi Driver, and Dog Day Afternoon, three perfect melds of storytelling and cinematic virtuosity. What many may forget about the latter film - directed by Sidney Lumet and with a volcanic Al Pacino at its core - is that it was based on a real bank robbery concocted by a real person, now the subject of The Dog.
The fact that Richard Linklater’s extraordinary movie Boyhood was filmed over the course of 12 years could come off as a gimmick. Yet this amazing accomplishment is no trick and, thanks to powerful performances and a seamless narrative, it packs an emotional wallop that is both unexpected and hard to shake.
There's a scene in Cédric Klapisch's warm, exuberant comedy Chinese Puzzle that perfectly captures both the beauty and complications of a life well lived. A discussion between two men (one living, one a hallucination) proposes that a piece of embroidery is an apt metaphor for the human condition: on one side is a lovely picture of a moment captured in time. But turned over, one sees all of the knotty entanglements.
A half century ago, nobody expected much of Sergio Leone’s 1964 Italian Western A Fistful of Dollars – not even its young American star, Clint Eastwood. On Wednesday's Up to Date, Steve Kraske explores how this film's fiery success ignited the popularity of an entire genre known as "spaghetti westerns".
As the march toward full equality for lesbian, gay, bisexual and transgender people in America advances at varying speeds, there remains a sense that the LGBT community can still be marginalized in the movies. That's what makes film festivals like Out Here Now so relevant to the LGBT communities and their staunch allies.
In Kelly Reichardt’s astonishingly good thriller Night Moves, a trio of environmental activists gets trapped in a political and deadly morass of their own making. Played by Jesse Eisenberg, Dakota Fanning and Peter Sarsgaard, they demonstrate to a fault what happens when passion for a cause is trumped by human frailty.
There's a deliberate seediness to the Texas noir Cold in July that makes it both entertaining and calculating. Directed by Jim Mickle, it stars Michael C. Hall as Richard, an ordinary man around whom extraordinarily violent things happen, all triggered by an act of self-defense that leaves a home intruder dead and his living room splattered with brain matter like a Jackson Pollock.
William Joyce has captivated young audiences and their parents with his whimsical and imaginative characters in film, TV, and in books. The creator of Rolie Polie Olie and The Guardians of Childhood has a new book and film, The Numberlys. Joyce talks with Steve Kraske about what inspires the characters he creates.