Julie Denesha

Digital Media Specialist

Julie Denesha is a freelance documentary photographer based in the Kansas City area.

Julie graduated from The University of Kansas in 1993, with degrees in Journalism and Russian Language and Literature. After college, she worked as a staff photographer for The Kansas City Star. In 1995, she moved to Europe and from 1996 to 2004, Julie was based in Prague, Czech Republic, where she covered Central and Eastern Europe for newspapers and magazines. Her work has appeared in The New York Times, The Guardian, Time, Newsweek, The Economist and The Christian Science Monitor.

After moving back to the United States, Julie spent three years working as a photo editor for The Washington Times.

In 2007, Julie was awarded both a Fulbright and a Milena Jesenská Fellowship to continue her ongoing project on the Roma in Slovakia. Her project on the Roma was featured in an exhibit of the Roma at the U.S. Embassy in Bratislava, Slovakia, The World Bank in Brussels, Belgium, The Half King Gallery in New York, and The Institute For Human Sciences in Vienna, Austria.

View more of Julie's work on her website.

Julie Denesha / KCUR 89.3

A new one-act play re-examines an enormous explosion that rocked Kansas City and killed six firefighters. The jury convicted five men of setting the 1988 fire, but investigative reporting has cast doubt on key facts in the case.

The process of producing the play, called Justice in the Embers, meant writing a script with a dogged journalist and visiting a convicted felon. 

Wikipedia

Eating locally during the summer is easy, but how do we eat local during a Midwestern winter?

Inspired by Harvest Public Media's series, Feasting on Fuel, we explore the history of eating locally when it's cold out, the environmental impact of obtaining fresh produce and why a grocer is stocking local products on his shelves.

Guests:

Julie Denesha / KCUR 89.3

The Dickens Carolers have brought their roving band of holiday cheer to the metro since 1983. With a sprig of holly here and there, each quartet is decked out in costumes that evoke the Victorian era.

Julie Denesha / KCUR 89.3

When 50 kids play a concert at the Plaza Library this weekend, it'll be one of the first public performances of a new program that provides free music education to low-income kids in hopes of improving their long-term academic performance.

Julie Denesha / KCUR

The mood was intense on Wednesday at the final dress rehearsal for the Kansas City Ballet's world premier of "The Nutcracker."

After nearly two years of planning and collaboration, with artisans from all across the country, artistic director Devon Carney was finally ready to bring his new creation to the stage of the Kauffman Center for the Performing Arts.

Julie Denesha / KCUR

A large crowd of supporters and donors gathered Friday morning in the freshly renovated lobby space of the Spencer Theatre on the UMKC campus.

After a seven-month, $5.6 million reconstruction, the Kansas City Repertory Theatre's primary venue now has a new stage floor, new seats, updated lighting and acoustic design as well as an expanded lobby. 

Julie Denesha / KCUR

For more than three decades, Kansas City audiences have gathered at the holidays to watch the classic ballet, The Nutcracker. This year, though, they'll be getting something much different.

Julie Denesha / KCUR

Around Kansas City, spontaneous acts of decoration in hues of royal blue are surfacing in unexpected places. As a result, historic statues are becoming pop-up shrines to the Kansas City Royals. 

Museum staff at the Harry S. Truman Library and Museum placed a Kansas City Royals baseball cap on the life-size bronze statue of Truman in the Legacy Gallery. A photograph of the smiling statue can be found on the museum’s Facebook page

Julie Denesha / KCUR

Photographer Mike Strong has spent the past two decades capturing the movement of dancers on Kansas City stages. 

When Strong first became interested in dance, he says he couldn't find much information about metro-area dance events. So in 1997, he started his own website, KCDance.com and has published photographs of performances and rehearsals ever since. 

Julie Denesha / KCUR

The air was crisp and the sun was high Friday afternoon as a small group of people assembled in the amphitheater at the athletic fields at 9th and Van Brunt in Kansas City, Mo. They’d come by bus to hear artist José Faus say a few words about his new mural, “The Sun and the Moon Dream of Each Other,” one of two new murals commissioned over the summer by the MAPIT, Mural Arts Program Inspiring Transformation.

Julie Denesha / KCUR

The grass was still damp from overnight rains in Washington Square Park Tuesday morning as sculptor Will Vannerson stepped away from a section of the galvanized sculptural work called "Moon Garden."

After Vannerson lifted the work from the bed of a pickup truck, he said wanted to get a broader view of the large, silvery tubes in the context of the park’s landscape.

Julie Denesha / KCUR

Cicadas sing the rhythm of late summer as plein air painter Patrick Saunders and his wife, photographer Kimberly Saunders, sit at a picnic table beneath the shade of a tent — the living room in their new life together.

Julie Denesha / KCUR

Large puffy, clouds float overhead as Alex Hamil mixes water and pigment in the shadow of Liberty Memorial in Kansas City, Missouri. "Bag of tricks: brushes, water for watercolor," he says as he pulls out supplies.

Alex has entered a plein air painting competition and is trying a new style of painting he knows well but has been reluctant to explore.              

Julie Denesha / KCUR

Ryan Jolicoeur-Nye counts out the beats as he directs three dancers darting across the floor in a rehearsal room.

Earlier this year when Jolicoeur-Nye created a pas de deux for Kansas City Ballet’s “New Moves” showcase set to the music of composer Max Richter, it caught the eye of Kansas City Dance Festival’s co-artistic director Anthony Krutzkamp. The two decided to collaborate on a larger work for the festival this weekend that they’re calling "Richter Scales."

Julie Denesha / KCUR

The Kansas City Fringe Festival brings an edgy mix of theater, music, dance and comedy to Kansas City audiences. One production, "Silver: A Noir Ballet," gives a jazzy new life to an epic Greek poem. 

Julie Denesha / KCUR

Heidi Van says that Kansas City needs to send original, locally created theater out into the world every bit as much as it needs a baseball team. That means experimenting on stage, taking risks, re-tooling scenes and sometimes failing. In front of an audience. Get a window into the world of experimental theater in Kansas City. 

Guests:

Julie Denesha / KCUR

As KCUR begins an exploration of how the Missouri River unites and divides the Kansas City metro, we must first consider our unique congregation of bridges. There are 10 of them, if you include the highways. Thirteen if you count the rail tracks that go over the river. And each one — though probably many people can't identify them by name — offers a unique perspective and connection for travelers.

As part of the Beyond Our Borders project, we'll soon take a look at the current state of the bridges and how we use them. But for now, we offer a little bit of history.

Julie Denesha / KCUR

In a small dressing room Saturday afternoon, nine young dancers from AileyCamp The Group crowded around a bank of mirrors checking makeup and donning leotards. The dance troupe was one of three performing in Festival on the Vine’s youth matinee performance at the Gem Theater in Kansas City.

The three-day festival of dance over the weekend featured Kansas City-based Owen/Cox Dance Group, Cleo Parker Robinson Dance from Colorado and CRISOL danza Fusión from Mexico. And Saturday was the moment for young dancers to take the stage. 

Julie Denesha / KCUR

A nice, shady front porch can be a great place to swap stories or share songs. And the community event called PorchFest continues this relationship — by pairing musicians with neighborhood porches.

The first PorchFest took place about 8 years ago in Ithaca, New York. It's spread to nearly 30 cities, including the West Plaza neighborhood of Kansas City, Missouri, where visitors are encouraged to park their cars and follow their ears.

Matching musicians with the right porch

Julie Denesha / KCUR

Kansas artist Jane Booth specializes in large, abstract paintings. When she outgrew her workspace, she created one that could expand her reach. As part of our occasional series called Tools of the Trade about artists and their relationship to the tools that make their work possible — we visited Jane Booth's new studio.

One early morning, Booth is out on the back porch of her metal studio in Spring Hill, Kansas. She’s dressed for work — jeans and a smock splashed with layers of paint. The prairie is alive with birds and Booth is just starting a new painting. As pigment moves across the fabric, Booth begins to get excited about what she sees.

“I mean, you know, can you even stand it?” says Booth. “I just love what happens right there. Where that water is and isn’t. So, we’ll come back in a little while.”

Julie Denesha / KCUR

In March, for the first time, the Heart of America Shakespeare Festival staged a production not at Southmoreland Park in Midtown Kansas City, Missouri, but indoors, at Johnson County Community College’s Polsky Theatre.

Working without having to worry about rain, bugs, and people walking their dogs made the festival’s typical technical challenges a breeze, says executive artistic director Sidonie Garrett.

Julie Denesha / KCUR

Theater insiders will call someone who acts, writes, and directs a triple threat. Kyle Hatley, Kansas City Repertory Theatre's resident director, is such a person. Following his acclaimed performance in An Iliad earlier this year, he's now at the helm of Sticky Traps, the theater's third play by Kansas City's own Nathan Louis Jackson.

In this month's installment of Director's Cuts, Hatley talks about his history with Jackson, a playwright-in-residence at the Rep, and what it means to rehearse a show with the playwright in the room.

Julie Denesha / KCUR

Paintings conservator Mary Schafer and registrar Jill Kohler hunched over a painting on a rolling cart beneath Thomas Hart Benton’s "Persephone" Tuesday morning in the Enid and Crosby Kemper Rotunda at the Nelson-Atkins Museum of Art. Using a flashlight and an iPad, the two were busy meticulously documenting the condition of Benton’s “Utah Highlands” before museum staff installed it on the wall of the gallery.

Julie Denesha / KCUR

Excitement enveloped a small band of foodies on Sunday as they feasted their way through a tour of Kansas City’s unique food offerings. 

Julián Zugazagoitia, director of The Nelson-Atkins Museum of Art, helped organize the private tour for Spanish master chef Ferran Adrià, whose notes and sketches are on display at the museum in an exhibition called Ferran Adrià: Notes on Creativity. The tour started at the J. Rieger & Co. distillery.

Julie Denesha / KCUR

As curator of The Fishtank, an evolving performance space in the Crossroads Arts District, Heidi Van has helped ignite a growing interest in experimental theater. She's produced shows in the building's front windows with the audience in the street, performed a play in a lingerie shop around the corner, and tweaked the art of clowning.

In this month's installment of Director's Cuts, Heidi Van talks about how her avant-garde sensibility might influence her first directing job at The Coterie: a production of Dr. Seuss's The Cat in the Hat

Julie Denesha / KCUR

Artist Sarah Lugg Regan is carefully gluing dolls to the back of a plastic Stegosaurus. Surrounded by buckets of toys in a sun-filled room in Epperson House on the campus of University of Missouri-Kansas City, Lugg Regan and her assistant Ben Breslow are working on a two-story sculpture for the National Museum of Toys and Miniatures.

When the museum reopens on August 1 after extensive renovations, this 150-foot "Toytisserie" — a rotating ribbon of metal covered by whimsical scenes of toys — will be in the lobby, greeting visitors.

Julie Denesha / KCUR

The two-act ballet Giselle premiered in 1841. Today, this story of a peasant girl who falls in love with a nobleman in disguise is considered a classic. There’s a love triangle, a mad scene, and ghosts who dance men to death.

Giselle as a 'personal experience'

At the Bolender Center on a recent afternoon, Kansas City Ballet rehearsals were underway for Giselle. It's the first act when Giselle, a young peasant girl, falls in love with Albrecht, a nobleman disguised as a peasant. Here’s the problem – the village gamekeeper, Hilarion, is also in love with Giselle.

Julie Denesha / KCUR

Balancing the responsibilities of raising children with the demands of work is a challenge for any parent. For many artists, the pressure is intensified by the need to create. As part of our series, Artists As Parents, two local artists talk about their latest collaboration — their son Sam.     

Working though a lack of sleep

Julie Denesha / KCUR

Graduate students in the Masters of Fine Arts program at the University of Missouri-Kansas City recently spent a week expanding their creative horizons with artist-in-residence Tony Fuemmeler, a mask maker and puppeteer based in Portland, Ore.

Their task: Create a mask using natural materials and thrift-store finds.

Julie Denesha / KCUR

Hundreds of musicians carrying instruments are filling the hallways of the Westin Hotel in downtown Kansas City, Mo. this weekend.  Clustered in small groups picking, strumming and fiddling, they are gathered for the 27th Annual Folk Alliance Conference and Winter Music Camp.

On day two of the conference, fiddler Betse Ellis was fighting off a cold and trying to pace herself.

“I’ve certainly been sicker than this onstage,” says Ellis with a laugh.

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